J.G. Ballard and Angela Carter were friends and co-conspirators in their witness to the postwar world and the liberation movements of the 1960s. Both were scathing in their antipathy towards the polite novels of manners and empire that still dominated English readers’ appreciation and expectations. Pioneers in the liminal spaces between literary and ‘genre’ fiction, and science fiction in particular, both of them are haunted by the visions of Swift, Shelley, Kafka and Borges.
Ballard’s ‘The Atrocity Exhibition’ and ’The Passion of New Eve‘, considered together here along with Ballard’s short story ’The Drowned Giant‘, are vivid, fearless, still shocking novels of ideas – if ‘The Atrocity Exhibition’ can be described as a novel at all. Marina and Chloe discuss that question as they consider Ballard’s catalogue of contemporary violence and pop culture transgression. Then they turn to Carter’s own gleeful transgressions, born out of the ferment of 1970s cultural theory, which she explores and interrogates with inimitable style. But do the excesses of these works still speak to the present, and does their lack of restraint risk collapsing the whole category of the fantastic?
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://lrb.me/applecrff
In other podcast apps: https://lrb.me/closereadingsff
Further reading in the LRB:
Susannah Clapp on Angela Carter:
https://www.lrb.co.uk/the-paper/v14/n05/susannah-clapp/diary
Edmund Gordon on J.G. Ballard:
https://www.lrb.co.uk/the-paper/v46/n10/edmund-gordon/his-galactic-centrifuge
Watch ‘If God is a snail...’, a film about Carter’s food writing for the LRB:
https://www.youtube.com/watch?v=yxqr5O2JFvE
Listen to Edmund Gordon discuss Ballard on the LRB Podcast:
https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/on-j.g.-ballard
Next episode: Ursula K. Le Guin.
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‘The Hearing Trumpet’ by Leonora Carrington
Leonora Carrington was a prodigious artist closely associated with major surrealists of the 1930s. Though only sporadically in print until recently, her writing has helped cement her cult status, not least The Hearing Trumpet (1974).
Before her family consign her to an old-age facility, nonagenarian Marian Leatherby is gifted a hearing trumpet with almost magical capabilities. Her institutionalisation leads to much eavesdropping, a Grail quest, descent into the underworld and an apocalyptic ice age.
Joyous, disturbing and subversive, The Hearing Trumpet is full of themes and images that populate Carrington’s artwork and other writing. Both Marina and Chloe knew Leonora Carrington, and in this episode they reflect on the ways her personality inflected her work. Their reading of The Hearing Trumpet reveals her humour, her visionary imagination and her attention to the boundaries between inner and outer realities.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://lrb.me/applecrff
In other podcast apps: https://lrb.me/closereadingsff
Further reading in the LRB:
Chloe Aridjis: A Leonora Carrington A to Z
https://www.lrb.co.uk/blog/2017/april/a-leonora-carrington-a-to-z
Alice Spawls: On Leonora Carrington
https://www.lrb.co.uk/the-paper/v37/n08/alice-spawls/at-tate-liverpool
Edmund Gordon: Save the feet for later
https://www.lrb.co.uk/the-paper/v39/n21/edmund-gordon/save-the-feet-for-later
Next episode: Marina and Chloe discuss J.G. Ballard’s The Atrocity Exhibition and Angela Carter’s The Passion of the New Eve.
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15:46
Stories by Jorge Luis Borges
Jorge Luis Borges was a librarian with rock star status, a stimulus for magical realism who was not a magical realist, and a wholly original writer who catalogued and defined his own precursors. It’s fitting that he was fascinated by paradoxes, and his most famous stories are fantasias on themes at the heart of this series: dreams, mirrors, recursion, labyrinths, language and creation.
Marina and Chloe explore Borges’s fiction with particular focus on two stories: ‘The Circular Ruins’ and ‘The Aleph’. They discuss the many contradictions and puzzles in his life and work, and the ways in which he transformed the writing of his contemporaries, successors and distant ancestors.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://lrb.me/applecrff
In other podcast apps: https://lrb.me/closereadingsff
Further reading in the LRB:
Michael Wood on Borges’s collected fiction:
https://www.lrb.co.uk/the-paper/v21/n03/michael-wood/productive-mischief
Colm Toíbìn on Borges’s life:
https://www.lrb.co.uk/the-paper/v28/n09/colm-toibin/don-t-abandon-me
Marina Warner on enigmas and riddles:
https://www.lrb.co.uk/the-paper/v29/n03/marina-warner/doubly-damned
Daniel Wassbeim on Sur and Borges’s circle:
https://www.lrb.co.uk/the-paper/v10/n05/daniel-waissbein/dying-for-madame-ocampo
Next episode: Marina and Chloe discuss The Hearing Trumpet by Leonora Carrington.
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‘Frankenstein’ by Mary Shelley
Born from grief, exile, intellectual ferment and the ‘year without a summer’, Frankenstein is a creation myth with its own creation myth. Mary Shelley’s novel is a foundational work of science fiction, horror and trauma narrative, and continues to spark reinvention and reinterpretation.
In their fourth conversation together, Adam Thirlwell and Marina Warner explore Shelley’s treatment of birth, death, monstrosity and the limits of science. They discuss Frankenstein’s philosophical and personal undercurrents, and how the creature and his creator have broken free from the book.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://lrb.me/applecrff
In other podcast apps: https://lrb.me/closereadingsff
Read more in the LRB:
Claire Tomalin on Mary Shelley’s letters:
https://lrb.me/ffshelley1
Caroline Gonda on the original Frankenstein:
https://lrb.me/ffshelley2
Marilyn Butler on Frankenstein as myth:
https://lrb.me/ffshelley3
Anne Barton on Mary Shelley’s life:
https://lrb.me/ffshelley4
LRB Audiobooks
Discover audiobooks from the LRB: https://lrb.me/audiobooksff
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Mikhail Bulgakov and James Hogg
James Hogg’s ghoulish metaphysical crime novel 'The Private Memoirs and Confessions of a Justified Sinner' (1824) was presented as a found documented dating from the 17th century, describing in different voices the path to devilry of an antinomian Calvinist, Robert Wringhim. Mikhail Bulgakov’s 'The Master and Margarita', written between 1928 and 1940, also hinges around a pact with Satan (Woland), who arrives in Moscow to create mayhem among its literary community and helps reunite an outcast writer, the Master, with his lover, Margarita. In this episode, Marina and Adam look at the ways in which these two ferocious works of comic horror tackle the challenge of representing fanaticism, be it Calvinism or Bolshevism, and consider why both writers used the fantastical to test reality.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://lrb.me/applecrff
In other podcast apps: https://lrb.me/closereadingsff
Further reading in the LRB:
Liam McIlvanney on James Hogg:
https://lrb.me/ffbulgakov1
Michael Wood on Bulgakov:
https://lrb.me/ffbulgakov2
LRB Audiobooks
Discover audiobooks from the LRB: https://lrb.me/audiobooksff
Marina Warner, Anna Della Subin, Adam Thirlwell and Chloe Aridjis traverse the great parallel tradition of the literature of astonishment and wonder, dread and hope, from the 1001 Nights to Ursula K. Le Guin.
Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.
Texts include:
The Thousand and One Nights
Jonathan Swift, Gulliver’s Travels
The Travels of Marco Polo
Italo Calvino, Invisible Cities
Lewis Carroll, Alice’s Adventures in Wonderland and Through the Looking-Glass
The stories of Franz Kafka
James Hogg, The Private Memoirs and Confessions of a Justified Sinner: Written by Himself
Mikhail Bulgakov, The Master and Margarita
Mary Shelley, Frankenstein
Jorge Luis Borges, Ficciones
Leonora Carrington, The Hearing Trumpet
and works by Angela Carter, J.G. Ballard and Ursula K. Le Guin
Ireland