The LRB Podcast

In early January, the US military seized Venezuela’s president, Nicolás Maduro, in a display of force that echoed its numerous past interventions in Latin America. Yet in this case, Trump’s justifications for the action made no mention of democracy, but cited, among other things, migration, narco-terrorism and oil. In this episode, James is joined by historian Greg Grandin to discuss what the intervention reveals about Trump’s intentions in the region and his wider foreign policy, and why, as in the past, such adventures will ultimately expose the limits of US power. Read more on politics in the LRB: ⁠https://lrb.me/lrbpolitics⁠ From the LRB Subscribe to the LRB: ⁠⁠https://lrb.me/subslrbpod Close Readings podcast: ⁠https://lrb.me/crlrbpod⁠ LRB Audiobooks: ⁠https://lrb.me/audiobookslrbpod⁠ Bags, binders and more at the LRB Store: ⁠https://lrb.me/storelrbpod⁠ Get in touch: [email protected]

‘Is it a bubble?’ John Lanchester asked in a recent LRB of the colossal amounts of money pouring into AI firms. ‘Of course it’s a bubble. The salient questions are how we got here, and what happens next.’ On this episode of the podcast, John joins Thomas Jones to discuss some possible answers to those questions. They talk about the history of companies such as Nvidia and OpenAI, the reasons ‘artificial intelligence’ is a misnomer, the harms that large language models can cause and why you shouldn’t rely on them for advice in the kitchen. From the LRB Subscribe to the LRB: ⁠⁠https://lrb.me/subslrbpod Close Readings podcast: ⁠https://lrb.me/crlrbpod⁠ LRB Audiobooks: ⁠https://lrb.me/audiobookslrbpod⁠ Bags, binders and more at the LRB Store: ⁠https://lrb.me/storelrbpod⁠ Get in touch: [email protected]

In The Man Behind the Curtain, a bonus Close Readings series for 2026, Tom McCarthy and Thomas Jones examine great novels in terms of the systems and infrastructures at work in them. For their first episode, they turn to the book that invented the modern novel. Don Quixote, the ingenious man from La Mancha, is thought to be mad by everyone he meets because he believes he’s living in a book. But from a certain point of view that makes the hero of Cervantes’ novel the only character who has any idea what’s really going on. Tom and Tom discuss the machinery – narrative, theoretical, economic, psychological and literal (those windmills) – which underpins Cervantes’ masterpiece. This is a bonus episode from the Close Readings series. To listen to all our other Close Readings series, sign up: Directly in Apple Podcasts: ⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠ In other podcast apps: ⁠⁠⁠https://lrb.me/closereadingsna⁠⁠ Further reading in the LRB: Karl Miller on ‘Don Quixote’: ⁠https://www.lrb.co.uk/the-paper/v08/n03/karl-miller/andante-capriccioso⁠ Michael Wood: Crazy Don ⁠https://www.lrb.co.uk/the-paper/v17/n15/michael-wood/crazy-don⁠ Gabriel Josipovici on Cervantes’ life: ⁠https://www.lrb.co.uk/the-paper/v01/n05/gabriel-josipovici/the-hard-life-and-poor-best-of-cervantes⁠ Robin Chapman: Cervantics ⁠https://www.lrb.co.uk/the-paper/v08/n16/robin-chapman/cervantics⁠

Did Dickens ruin Christmas? He was certainly a pioneer in exploiting its commercial potential. A Christmas Carol sold 6,000 copies in five days when it was published on 19 December 1843, and Dickens went on to write four more lucrative Christmas books in the 1840s. But in many ways, this ‘ghost story of Christmas’ couldn’t be less Christmassy. The plot displays Dickens’s typical obsession with extracting maximum sentimentality from the pain and death of his characters, and the narrative voice veers unnervingly from preachy to creepy in its voyeuristic obsessions with physical excess. The book also offers a stiff social critique of the 1834 Poor Law and a satire on Malthusian ideas of population control. In this long extract from ‘Novel Approaches’, part of our Close Readings podcast, Colin Burrow and Clare Bucknell join Tom to consider why Dickens’s dark tale has remained a Christmas staple. This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠ In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠ AUDIO GIFTS Close Readings and audiobooks: https://lrb.me/audiogifts

Emily Brontë died on 19 December 1848. As Patricia Lockwood said in an episode of Close Readings, there is evidence that Brontë was writing a second novel to follow ‘Wuthering Heights’, but if she was, it has been lost, and it has been suggested, though never proved, that her sister Charlotte might have destroyed it. But what could possibly be in that lost novel, Lockwood wondered, that was worse, more unacceptable, than what we find in ‘Wuthering Heights’? To mark the anniversary, we’re releasing the full version of this episode from the Close Readings series ‘Novel Approaches’. David Trotter and Patricia Lockwood join Thomas Jones to discuss Brontë’s only surviving novel, one Trotter describes as ‘completely amoral’. Readings by Alex Colley Give a gift subscription to Close Readings for Christmas: https://lrb.me/audiogifts From the LRB Subscribe to the LRB: ⁠⁠https://lrb.me/subslrbpod Close Readings podcast: ⁠https://lrb.me/crlrbpod⁠ LRB Audiobooks: ⁠https://lrb.me/audiobookslrbpod⁠ Bags, binders and more at the LRB Store: ⁠https://lrb.me/storelrbpod⁠ Get in touch: [email protected]