London History

Host Hazel Baker and Westminster guide Philip Scott record in Soho Square, tracing its shift from Middlesex countryside and royal hunting ground—where “Soho!” was cried—to a late-1600s development originally called King Square for Charles II, whose weathered statue remains after being moved and later returned.

They highlight residents and landmarks, including Mary Seacole’s blue plaque and her Crimean War work after being refused by Florence Nightingale’s nurses: she built the British Hotel, treated soldiers and went to battlefields, later publishing her 1857 autobiography and receiving a benefit concert.

They discuss Seacole’s rediscovery from the 1980s and her statue near Parliament, the square’s 1925 mock-Tudor gardener’s hut and tunnel myth, Huguenot immigration and the French-language Protestant church, Theresa Cornelis and Casanova, and trivia about entertainer Danny La Rue, buried near Seacole. The episode ends promoting a Soho walking tour.

London’s Dracula Connections: Victorian Vampires, Penny Dreadfuls & the Lyceum Theatre (World Dracula Day Special)On World Dracula Day (26 May), London History Podcast host Hazel Baker speaks with Lambeth tour guide and Gothic novelist David Turnbull about how a century of Gothic writing and London locations shaped Bram Stoker’s Dracula. They trace early vampire traits through Coleridge’s Christabel, Byron’s circle and the Villa Diodati summer, Polidori’s The Vampyre, and the influence of penny dreadfuls like Varney the Vampire and Lloyd’s publications, before moving to Fleet Street magazines and Sheridan Le Fanu’s Carmilla.
The conversation highlights Stoker’s Lyceum Theatre work under Henry Irving, the Beefsteak Room’s literary influences (including Burton and Vambéry), Stoker’s research at the British Museum and London Library, and Dracula’s London settings from Piccadilly and King’s Cross to Hampstead.
They discuss Dracula’s slow initial success, rivalry with The Beetle, and its 20th-century rise via Hamilton Deane and Bela Lugosi, ending with Turnbull’s Dracula-influenced novel The Hurdy Gurdy Man and related London tours.00:00 Introduction05:39 The Romantic Poets & Vampire Origins17:17 Penny Dreadfuls & Fleet Street31:57 Dracula's London Locations36:19 Dracula's Rise to Fame

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The script traces Finsbury Circus Gardens’ transformation from medieval marshland north of London’s wall—created as the Wallbrook’s flow was impeded—into today’s Grade II listed public garden and commercial centre. It recounts Roman burials, later use as a waste dump and tanning area, failed drainage and quarrying, and the successful draining in 1527.

The site became home to Bethlehem Royal Hospital (“Bedlam”) in 1675–76, designed by Robert Hooke, before its demolition in 1814–15 and redevelopment as an elegant oval residential circus planned by George Dance and executed by William Montague (1815–17). It covers the area’s religious institutions, a fatal 1825 construction accident, an unrealized radical monument to Rafael del Riego, its 19th-century medical quarter (including Moorfields Eye Hospital), later office redevelopment and key buildings like Lutyens’ Britannic House and Derwent Wood’s sculptures, public opening in 1900, and 2025 restoration after Crossrail works.

Podcast show notes: londonguidedwalks.co.uk/podcast

Hazel Baker of the London History Podcast describes late December 1870 at the crowded Worship Street Police Court, where three women—Elizabeth Brown (22), Charlotte Quigley (20), and her mother Charlotte Quigley (45)—are charged with stealing large quantities of buttons from Hackney manufacturer Mr. Williamson. The episode explains why buttons had real commercial value in the booming Victorian clothing trade and how stolen goods could be easily hidden and resold.

Detective Chapman traces the missing buttons through East End neighborhoods via shopkeepers such as Isaac Levine of Bethnal Green Road and Mr. Hyams near Spitalfields, who admit buying “job lots” without records or reporting suspicions. Magistrate Henry Jeffreys Bushby condemns this normalized receiving of stolen goods, warns traders to keep detailed purchase records, and links the thefts to severe East End poverty and economic distress; the case is remanded and the final outcome is unknown.

Hazel Baker introduces Smithfield (West Smithfield near St Bartholomew’s Hospital and Smithfield Meat Market) as a deceptively ordinary open space that for centuries served both as a major market/fairground and a prominent execution site used to project state and church power.
With tour guide Maria Alexe’s commentary, the episode traces Smithfield’s execution history from William Wallace’s hanging, drawing and quartering in 1305 to the last clearly documented burning in 1612, noting its particular association with heresy burnings and high-profile traitors, especially the Marian burnings under Mary I (about 48 at Smithfield, per Foxe). It highlights John Foxe’s shaping of Protestant martyr memory through accounts such as John Rogers and Anne Askew, describes execution methods including hanging, burning, quartering and boiling (Richard Rouse in 1531; Margaret Davy in 1547), and explains the crowd spectacle, commerce, and the risk of creating martyrs. It ends by identifying surviving local traces—St Bartholomew the Great, the gateway, street names like Cloth Fair, and modern contrasts—and invites listeners to related walking tours.