In this episode of Platemark, Ann talks with Yayoi Shionoiri, an arts lawyer and Vice President of External Affairs & General Counsel at Powerhouse Arts. Yayoi, who has over two decades of experience in art law, discusses her unique career path, from her initial interest in art history to working in law supporting artists and cultural workers. They talk about working together on the Brooklyn Fine Art Print Fair, the significance of transparency in art production, the evolving field of art law, and the intersections of technology and art, particularly generative AI. The conversation also highlights the collaborative and inclusive nature of the printmaking community, the impact of digital tools, and the fair's success in bringing together artists, students, and print enthusiasts. Â Cover art by Phong Bui @yayoi_shionoiri
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S3e93 printing Peter Milton etchings with Robert Townsend
In this episode of Platemark, Ann delves into the intricate world of prints and printmaking with master printer Robert Townsend. With over 55 years of experience, Bob shares his journey, techniques, and notable collaborations with artists like Peter Milton, Jim Dine, and Michael Mazur. They take a deep dive into plate wiping, steel facing, and other essential intaglio processes. Tune in to learn about the nuances of printing detailed etchings, and gain insights into the collaborative efforts that bring them to life. https://retownsendstudio.com/ https://www.facebook.com/retownsendstudio/ IG @retownsendstudio  Show me the images!!
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s2e35 History of Prints James Gillray
In this History of Prints episode, Tru and Ann look at the considerable output of British satirist James Gillray (1756–1857). Younger than William Hogarth by nearly sixty years, Gillray took Hogarth's social commentary, its energy, and caustic approach, and used his skills to skewer politicians and kings, laugh at Napoleon and his empire building, point out the absurdity of the fear of vaccines, and make clear the debauchery of public executions. In fact, he's now called the father of the political cartoon. With scary parallels to current events, Gillray's acerbic eye nails it every time.   You can listen to Platemark or watch a video version. Links to all the possibilities are on the episode page at www.platemarkpodcast.com. While you're there, sign up for our newsletter-emails, which alert you to new episodes and occasional other stuff. And, do me a favor and leave us a review. It really helps people find the pod.  Show me the images!!
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s3e92 collagraph with artist Evan Summer
In this episode of Platemark, Ann talks with Evan Summer, who shares his journey from studying chemistry to becoming a printmaker and educator. We talk about the technical aspects and challenges of collagraph, a lesser-known printmaking technique, discussing its potential and common pitfalls. Evan also offers some essential hot tips on the technique. Evan explains the intersection of science and art in printmaking, emphasizing safety and technical precision. We also explore his dark, apocalyptic-themed landscapes contrasted with his occasional, whimsical animal prints. We talk about his his influential teachers and his teaching career at Kutztown University, as well as his experiences with international artist residencies in places like Venice and China. The episode highlights the artistic and technical expertise required in printmaking, while Evan provides valuable insights and anecdotes from his extensive career. Â USEFUL LINKS www.evansummer.com IG @evansummer https://www.facebook.com/evan.summer/ Â Show me the images!!
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s3e91 watercolor monotypes with artist and printer Sue Oehme
In this episode of Platemark, Ann talks with Sue Oehme, owner of Oehme Graphics in Steamboat Springs, Colorado. Sue shares her journey into printmaking, starting with her initial foray into lithography before discovering her love for etching. We talk about the unique process and intricate technique behind her renowned watercolor monotypes, including how different surfaces and types of paper influence the final artwork. We also talk about her collaborative approach and highlight her experience with artists at Oehme Graphics. Sue also touches on her previous significant work experience at Tyler Graphics, her own artistic practice, and the recent exhibition she curated at the Steamboat Art Museum. USEFUL LINKS https://oehmegraphics.com/artists https://www.facebook.com/oehmegraphics https://www.instagram.com/oehmegraphics/ https://spacegallery.org/artist/sue-oehme/ https://www.jimkempnerfineart.com/susan-oehme https://steamboatartmuseum.org/museum-moments-the-art-of-printmaking-process-and-passion/ Â Show me the images!!
About Platemark: prints and the printmaking ecosystem
Why do fine art prints (etchings, woodcuts, lithographs, screenprints, etc.) and printmaking draw such fervent practitioners, collectors, and fans? Find out how prints were the first internet disseminating images since the mid-15th century. Find out why it takes a village to make, sell, study, and collect these affordable beauties. Who are all these people in the print ecosystem, anyway?
Series one looks at prints and printmaking and how they fit in in the context of museums, the market, critiques, and the print ecosystem. Series two offers a history of prints and printmaking in the West. Series three offers interviews with the people who perform various roles in the print ecosystem. Join us and find out why prints and printmaking occupy the best little corner of the art world. We'll turn you into a fan, too.
Platemark offers a bit of art history, artistic creativity, and introduces listeners to artists, printers, dealers, print publishers, gallerists, art historians, curators, and scholars.
Host Ann Shafer is a curator specializing in prints and printmaking. Formerly she was a curator at the Baltimore Museum of Art and the National Gallery of Art. She's a podcaster, blogger, and organizer of the Baltimore Fine Art Print Fair (baltimoreprintfair.com).
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