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Scoring Notes

Scoring Notes
Scoring Notes
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  • Scoring Notes

    Score preparation and production double-checklist

    06/06/2026 | 1h 28 mins.
    Six years after our “Score preparation and production notes” episode — Episode No. 2 — essentially launched the podcast, 163 episodes later, Philip Rothman and David MacDonald return to the article that inspired the conversation: David’s score preparation checklist. The principles — respect for performers, readable parts, enough time for page turns — are as true as ever. But almost every specific tool reference in the original has a fuller story now.

    The conversation moves section by section, serving as a reminder of the timeless principles and exploring all of the meaningful changes in the technology. Dorico’s live-reference cue system has become the standard no one else has matched — and the ease of it has quietly changed how generously cues get applied. The Dorico 6 Proofreading panel represents a new category of preparation tool, while the Sibelius plugin ecosystem has its own parallel answers. The condensing and decondensing workflows now available in both Dorico and Sibelius 2025.2 have transformed what was once among the most tedious jobs in parts preparation, and Sibelius 2025.7’s Auto-Respace toggle closes a gap that used to just be accepted.

    Two sections are entirely new to the checklist: digital delivery — where the iPad has become as common in rehearsal as a music stand — and a pointed look at the file-organization habits that make or break a delivery package. This one’s chock-full of tips, resources and advice — with David’s updated accompanying article to come soon.

    Products mentioned

    Notation software

    Dorico (Steinberg)

    Sibelius (Avid)

    MuseScore Studio (Muse Group)

    Finale (MakeMusic) (mentioned as discontinued)

    Fonts

    MusGlyphs (available at Notation Central)

    NYC Music Services / Notation Central

    PDF Batch Utilities

    Desktop publishing and document tools

    Affinity (Canva) (now free)

    Apple Pages

    Microsoft Word

    LibreOffice

    Other tools mentioned

    Claude Cowork (Anthropic) (mentioned for AI-assisted file organization)

    Name Mangler / Renamer (mentioned briefly for file naming)

    forScore (mentioned as a score-reading app)

    Previous Scoring Notes posts and podcast episodes

    Directly mentioned or closely related:

    Score preparation and production Notes (David’s original 2018 article)

    Score preparation and production checklist (Episode 2, 2020)

    Behind “Behind Bars” with Elaine Gould (podcast, July 2023)

    Behind Bars: General Conventions edition published (June 2023)

    Dorico 6: Proof positive (review, April 2025 — Proofreading Panel)

    Dorico 6.0.22 extends proofreading capabilities (July 2025 — ignore feature)

    Sibelius 2025.7 brings note spacing control, UI updates (July 2025 — Auto-Respace)

    Sibelius 2025.2 introduces decondensing parts with staff filters (February 2025)

    Sibelius 2022.5 brings multi-section headers, other workflow boosts (May 2022)

    MusGlyphs: an advanced music text font (April 2021)

    PDF Batch Utilities get a major rebuild — and a brand new app (March 2026)

    Freshly pressed (podcast, April 2026 — PDF Batch Utilities in depth)

    Calculate the weight, basis weight, or grammage of paper (April 2025)

    Chronology of a perfect music printing job (January 2022)

    DJA’s Notes: Music preparation basics (Darcy James Argue, September 2023)

    Documenting the documenter: Lillie Harris (podcast, April 2021 — Dorico manual)

    Forthcoming (mentioned in the episode):

    David MacDonald’s updated Score Preparation and Production Notes article

    Other references

    Elaine Gould, Behind Bars: The Definitive Guide to Music Notation (Faber Music) — cues: p. 566; front matter: chapter 17, pp. 501–504

    Elaine Gould, Behind Bars: General Conventions (Faber Music) — the first third of Behind Bars as a standalone paperback and e-book

    MOLA Guide (Major Orchestra Librarians’ Association) — free PDF download

    Sibelius plugins page (still active at sibelius.com)

    Darcy James Argue, Music Preparation Fundamentals for Jazz Composers & Arrangers — free download

    Darcy James Argue, Music Preparation for the Large Jazz Ensemble — free download (supplement to the above)
  • Scoring Notes

    Richard deCosta gives your score a voice

    02/05/2026 | 56 mins.
    What if your notation software could sing? At the top of this episode, we play a short clip, performed entirely in Dorico with NotePerformer handling the orchestra, and a plugin called Cantai rendering the baritone voice.

    That voice is synthesized directly from the Dorico score with minimal configuration, and it marks the arrival of something the notation world has been waiting for for a long time. Philip Rothman and David MacDonald talk with Richard deCosta, composer, software developer, and founder of Cantai and the Turing Opera Workshop, about what it took to build it.

    The conversation goes deep on the technology: why synthesizing the voice is fundamentally harder than synthesizing instruments, how the phonemizer works, why Cantai renders offline rather than in real time, and what it really means to build a plugin that reads a score rather than simply receiving MIDI.

    Richard also explains how years of frustration with the disconnect between notation and external vocal synthesis tools — from EWQL Symphonic Choirs and WordBuilder to ACE Studio and Synthesizer V — led to the central insight behind Cantai: that the lyrics were always there in the score; they just weren’t being passed to the playback engine.

    We also dig into the ethical and business model Richard has built around the singers whose voices power Cantai. Every vocalist is contracted, paid a competitive recording fee, and receives an ongoing share of the product’s profits in proportion to how much their voice is used. Cantai is already live for MuseScore Studio and Dorico, and arriving for Sibelius on May 30. The roadmap — more languages, less vibrato, Broadway and jazz styles, and a thought-provoking vision for the future of real-time vocal generation — gives us plenty to look forward to.

    Products mentioned

    Cantai (Turing Opera Workshop)

    Turing Opera Workshop

    Dorico (Steinberg)

    Sibelius (Avid)

    MuseScore Studio / MuseHub (Muse Group)

    NotePerformer (Wallander Instruments)

    ACE Studio

    Synthesizer V (Dreamtonics)

    EWQL Symphonic Choirs with WordBuilder (East West)

    Emvoice One

    Vocaloid (Yamaha)

    Wendy Carlos, Secrets of Synthesis (1987)

    Previous Scoring Notes posts and podcast episodes

    Directly mentioned or closely related:

    Cantai now sings straight from Dorico (companion article)

    Dorico 6.2.20 released with Cantai vocal synthesis support

    MuseScore Studio 4.6.4 released with Cantai support

    Using WordBuilder with Sibelius to make vocal text come alive

    Sibelius sings with EWQL Symphonic Choirs

    Scoring a 16th century ayre with Dorico and Emvoice One

    Scoring the 11 o’clock number with Dorico and Emvoice One
  • Scoring Notes

    Freshly pressed

    04/04/2026 | 1h 18 mins.
    After a stretch away from the mic with NAMM coverage and a few product launches in the interim, Philip Rothman and David MacDonald return for an episode that, as David puts it, is “delightfully very nerdy.”

    To kick things off, David turns the tables and puts Philip in the interview seat, asking him about two significant sets of releases from Notation Central and NYC Music Services. On the Notation Express side, the big news is two-way communication between Dorico and the Stream Deck: buttons now light up to reflect what Dorico is actually doing in real time — active note durations, engaged accidentals and articulations, current mode, playback state, and more. Philip also walks through the new Note Tools folder, which lets users chain up to four buttons together to build a complete transposition or interval command before executing it in one shot, and touches on the Notation Express Keypad and the Virtual Stream Deck.

    The PDF Batch Utilities get equal time: native Apple Silicon builds that launch ten times faster, codesigning and notarization, source PDF info shown right in the file list, bookmarks in stitched output, smarter handling of one- and two-page files, and a brand-new fifth app — PDF-Counter — that drops a page-count CSV into any folder you throw at it.

    For the second half, Philip asks David about the utility apps that have quietly become indispensable in his day-to-day work. David talks through Dropzone, a Mac menu-bar app that makes dragging files to frequently-needed folders — or AirDrop, or a terminal window — almost frictionless, and Alfred, the customizable launcher he’s built out with custom searches (including a dedicated IMSLP search), file navigation shortcuts, and a direct line to his task manager.

    From there, the conversation turns back to the notation software itself, with a look at two features that deserve more attention than they get: Dorico’s Jump Bar and Sibelius’s Command Search, both of which let you find and fire any command just by typing for it.  Where might those tools go next, and what it would mean for notation software to understand what you’re asking for, not just what you typed?

    Products mentioned

    Notation Central / NYC Music Services

    Notation Express

    PDF Batch Utilities

    Stream Deck

    Elgato Stream Deck

    Virtual Stream Deck

    Stream Deck Mobile

    Mac utilities discussed by David

    Dropzone (Aptonic Software)

    Alfred

    Raycast (mentioned as alternative to Alfred)

    LaunchBar (mentioned as alternative to Alfred)

    Hazel (mentioned in context of Dropzone)

    Things (mentioned as David’s to-do app, integrated with Alfred)

    Other references

    IMSLP (Petrucci Music Library) (David’s custom Alfred search)

    Previous Scoring Notes posts and podcast episodes

    Directly mentioned or closely related:

    Notation Express for Dorico 6: Your Stream Deck just got smarter

    PDF Batch Utilities get a major rebuild — and a brand new app

    Notation Express: Stream Deck profile for Sibelius (the original 2019 launch)

    Boost your workflow: a Stream Deck review (Dan Kreider’s 2018 review of the Stream Deck, pre-Notation Express)

    Quickly scale many PDFs with PDF-BatchScale (the original launch)

    PDF-MusicBinder and PDF-BatchStitch utilities for music printing

    Chronology of a perfect music printing job

    How to tape and fold pages for parts: a video tutorial (accordion-style printing)

    Calibrating printers and workflows

    NAMM 2026: On the scene (and related NAMM 2026 coverage, including the happy hour)

    Forthcoming (mentioned in the episode):

    Virtual Stream Deck article
  • Scoring Notes

    NAMM 2026: An interview with Sam Butler and Joe Plazak

    28/02/2026 | 37 mins.
    At the 2026 NAMM Show, we interviewed representatives from the businesses in our field of music notation software and related technology.

    In this interview, we talk with Sam Butler, Avid’s vice president of product management, and Joe Plazak, Sibelius product owner and senior principal software developer at Avid, to reflect on the philosophy behind Sibelius’s recent development approach, how user feedback shapes prioritization, and where they believe users should most clearly feel progress compared to a year ago. We also talk about automation and AI in notation, the realities of cross-platform and mobile workflows, and what Avid wants musicians to understand about its long-term commitment to Sibelius.

    Be sure to check out our other conversations from the NAMM Show from earlier this month. And as always, if you like this podcast episode, there’s plenty more for you from Scoring Notes — be sure to follow us right in your podcast player.

    More about the 2026 NAMM Show from Scoring Notes:

    NAMM 2026: On the scene

    NAMM 2026: Piascore’s bet on interactivity

    NAMM 2026: John Barron opens the door to Dorico’s future

    NAMM 2026: Sounding out the inputs with klang.io’s Sebastian Murgul

    NAMM 2026: Getting into a Fender-bender with Chris Swaffer

    NAMM 2026: An avid Sibelius discussion with Sam Butler and Joe Plazak

    NAMM 2026: An interview with John Barron

    NAMM 2026: An interview with Sebastian Murgul

    NAMM 2026: An interview with Chris Swaffer
  • Scoring Notes

    NAMM 2026: An interview with Chris Swaffer

    21/02/2026 | 29 mins.
    At the 2026 NAMM Show, we interviewed representatives from the businesses in our field of music notation software and related technology.

    In this interview, we talk with Chris Swaffer, senior product manager of software at Fender, about how he thinks about Notion’s current phase in its lifecycle, what the Fender name signals to users today, and how decisions around refinement, continuity, and cross-platform consistency get made in practice. We also dig into under-the-radar improvements, accessibility as a core product principle, direct transfer between Notion and Fender Studio Pro, and how intelligent assistance can support — rather than replace — human musical judgment.

    Come back next week for more conversations from the NAMM Show. And as always, if you like this podcast episode, there’s plenty more for you from Scoring Notes — be sure to follow us right in your podcast player.

    More about the 2026 NAMM Show from Scoring Notes:

    NAMM 2026: On the scene

    NAMM 2026: Piascore’s bet on interactivity

    NAMM 2026: John Barron opens the door to Dorico’s future

    NAMM 2026: Sounding out the inputs with klang.io’s Sebastian Murgul

    NAMM 2026: Getting into a Fender-bender with Chris Swaffer

    NAMM 2026: An avid Sibelius discussion with Sam Butler and Joe Plazak

    NAMM 2026: An interview with John Barron

    NAMM 2026: An interview with Sebastian Murgul
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About Scoring Notes
We love music notation software and related products and technology, so that’s what we cover here. You’ll find timely news, in-depth coverage about the field, and honest reviews about products you use every day. You’ll learn about the interesting people in our field and find out our opinions on ever-changing developments in the industry.
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