I’m joined by Matthew Specktor, author of The Golden Hour: A Story of Family and Power in Hollywood. Part novel, part memoir, and entirely entertaining, Matthew’s book is a revealing look at life in Hollywood when you’re not on the A-list but occasionally adjacent to it. In addition to relating the drama that makes any family intriguing, Matthew’s book is a keen look at Hollywood in a time of flux, as the rise of the super agencies and the internationalization of the Hollywood studios radically altered the American cinematic landscape. If you enjoyed the episode, I hope you check out his book. And please, share this with a friend!
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39:12
How David Mamet Made His First Film in 12 Years
On this week’s episode, I’m joined by Evan Jonigkeit, the star and producer of Henry Johnson. Based on the play of the same name by David Mamet, Henry Johnson is Mamet’s first film in a dozen years and a beguiling provocation; I greatly enjoyed discussing not only the meaning of the movie with Jonigkeit but also how difficult it is to get a picture like this—a series of Socratic dialogues, a movie of complex ideas made for adults—in front of audiences.
Henry Johnson is available to rent now from the film’s website and is playing in a handful of locations (including a one-night stop at the Aero in Los Angeles and a residency at Bryn Mawr). I hope you check it out. And if you enjoyed this episode, please share it with a friend!
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46:45
The Hidden Art of 'Secret Mall Apartment'
On this week’s episode, I’m joined by Jeremy Workman, the director and producer of Secret Mall Apartment. We discussed the difficult process of getting your subjects to trust you, the trickiness of distributing an indie documentary in the modern cinematic landscape, and the importance of having a big star like Jesse Eisenberg willing to do a little press for you. The movie’s playing in theaters now; you can see if it’s in a cinema near you here. And if you enjoyed this episode, please share it with a friend!
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41:26
Hollywood Should Rely Less on Overseas Box Office
On this week’s episode I’m rejoined by Scott Mendelson of The Outside Scoop to talk about the state of the box office thus far through 2025. It’s better than 2024—thank you, Minecraft—but not as good as 2023. Plus, we delve into some of the discussion surrounding Sinners’s box office, particularly the foreign and domestic splits. Does its strength in North America demonstrate that Hollywood should be less concerned with appealing to foreign audiences and more worried about making big bucks (and better movies) for the homegrown crowd? All that and more on this episode; if you enjoyed it, I hope you share it with a friend!
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1:01:02
The Economics of Indie Distribution
On this week’s episode, I talked to Andrew Ortenberg of Briarcliff Entertainment about distributing tricky movies like The Apprentice and Magazine Dreams. How have the economics of cinematic distribution improved for distributors with the infrastructure in place to handle it? How have the various video-on-demand tiers shifted over the last few years? What should folks keep in mind before they declare a movie a hit or a flop? And why are family movies an under-utilized resource for the indie set? All that and more on this week’s episode. If you enjoyed it, please share it with a friend!
Sonny Bunch hosts The Bulwark Goes to Hollywood, a new podcast featuring interviews with folks who have their finger on the pulse of the entertainment industry during this dynamic—and difficult—time.
Ireland