Early one morning last week, I was taking a walk from the church to the park in central London where I live. I walked down Waterloo Place, named after the battle more than 200 years ago when on a June Sunday, 60,000 casualties and thousands of horses were killed on a muddy field in present day Belgium. Past the memorial to the war in Crimea fought three decades later when hundreds of thousands of men died, many from infected wounds. Historic acknowledgement of terrible bloodshed collided with the present day as I noticed a new statue, as yet without too many crowds to see it, had appeared overnight. We now know it was put there by Banksy.
Up on a plinth is a well fed man, dressed in a western style business suit. In his right hand, he holds high a huge flag. His other hand is in a fist. He is marching forward. But the flag he’s carrying has blown into his face and he can’t see where he’s going. As the viewer, we witness his next step taking him off the plinth, marching into thin air. One more step and he will fall.
The man’s distinctive posture lionises individual autonomy, allied with what seems to be a determination to dominate in the name of whatever’s on the flag he’s holding. But the flag, presumably the reason he’s marching in the first place, is itself the very reason he can’t see the way ahead. I found myself addressing the man as he towered over me….
Sir – you’re holding your flag up proudly but you can’t see where you’re going. I don’t know what made you think you should be up there, but you don’t have to stay. Now, the only way is down.
But when you’re scrambling to get up - in the mud of the wars similar to the ones that are commemorated all around you – there’s a chance you could recover yourself, and turn your flag, no doubt colourful and vibrant, into a symbol of a different kind of unity.
You could use it to bind the wounds of war, to wipe the face of Christ on his way to be crucified. You could use it to make shade in the heat, bring warmth in the cold.
In addressing the man in my mind, I thought of the prodigal son in Jesus’s parable, leaving his community to seek autonomy, marching off his own particular plinth, finding to his surprise, off his pedestal, that his father still welcomed him home. I found myself feeling compassion for hubristic and lonely humanity, as we consistently choose domination over cooperation, clenched fists not open hands.
And for evoking these reflections, I thanked God for the inventiveness of artists, who in these bellicose and dysregulated times, powerfully and provocatively show us another way.
Ireland