Memoir Nation

Much like guest Sarah Aziza’s beautiful memoir, The Hollow Half, this week’s show covers a lot of territory and shines light on multiple topics of interest to memoirists. We explore memoir as art—what that means and whether memoirists should strive for their work to be art per se. Aziza’s book is experimental and ambitious, and as such gives this week’s episode delves into craft choices and process and more. Aziza shares her family history and how her grandmother started to show up in her dreams—and how this memoir took root and ultimately became the gift it is—timely, urgent, and beautiful.
Sarah Aziza is a Palestinian American writer, translator, and artist with roots in ‘Ibdis and Deir al-Balah, Gaza. She is the author of the genre-bending memoir The Hollow Half, winner of the Palestine Book Award and named a Most Anticipated and Best Book of the Year by Vulture, Vanity Fair, Literary Hub, Elle, Electric Literature, and Mizna, among others. Sarah’s award-winning journalism, poetry, essays, and experimental nonfiction have appeared in The New Yorker, The Paris Review, and Best American Essays, among other publications. She is the recipient of fellowships and support from Fulbright, MacDowell, USA Artists, the Asian American Writers Workshop, and others. Sarah has lived and worked in Saudi Arabia, Jordan, South Africa, and Palestine, and now resides in the U.S. on occupied Munsee Lenape and Canarsie land.
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This week’s episode touches upon so many interesting topics for memoirists—from catalyst moments that create the foundational stories of our memoirs; to the ways we can prism experience through “before” and “after”; to the journey of titling and subtitling; to the wild and unpredictable individual journeys that lead to published books. Author Karen Palmer is an insightful guest whose memoir and journey to publication will inspire and propel you along, and remind you to stay the course. Your story matters!
Karen Palmer’s memoir She's Under Here grew out of her award-winning essay The Reader Is the Protagonist, first published in VQR and selected by Leslie Jamison for inclusion in Best American Essays 2017. She has received a Pushcart Prize and grants from the NEA and the Colorado Council on the Arts, and is the author of the novels All Saints and Border Dogs. Other work has appeared in the Kenyon Review, Arts & Letters, The Rumpus, and Kalliope. She teaches at Lighthouse Writers Workshop in Denver, and lives with her husband in California.
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This week Memoir Nation has the privilege of elevating the voices of four African-born authors who were part of a panel conversation with Brooke back in December. This was part of #ReadingAfricaWeek, a global reading celebration in which individuals and organizations share African books, create booklists, hold talks or panels, and spotlight writers. You can find out more at catalystpress.org, and we’ve curated a list for you as part of our own challenge this week to choose and read one African author (at least) in 2026. Thanks for listening and celebrating these authors with us this week.
Sahra Noor is a Somali-American writer and global health expert. Her debut memoir, Salt in the Snow, is coming out in June 2026 and explores what it means to be shaped by the salt air of Mogadishu and the snowy streets of Minneapolis. Joanne Bloch was an exhibiting visual artist for most of her life, until she lost her sight. Unseen is her anthology that emerged from her experience of visual impairment and her desire for marginalized voices to be better heard. She lives in Cape Town. Colleen Higgs is a writer and publisher, and the founder of Modjaji Books, the ground-breaking southern African women’s press she started in 2007. She is the author of Looking for Trouble, as well as two poetry collections. She also lives in Cape Town. Patrice Nganang was born in Cameroon and is a novelist, poet, and essayist. His memoir is Scale Boy, and he’s also the author of eleven other books. He teaches comparative literature at Stony Brook University in New York.
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This week’s episode is sweeping, interesting, and passionate. Guest Andre Dubus III takes us on a ride through some of memoir’s more confounding territory—what’s yours to tell; considerations of harm; writing about violence; and getting to truth on the page. Also, Grant has a new book out, and we talk about his book trailer in this week’s episode. Watch here.
Andre Dubus III has authored nine books including the New York Times’ bestsellers House of Sand and Fog, The Garden of Last Days, and his memoir, Townie. His most recent novel, Such Kindness, was published in June 2023, and a collection of personal essays, Ghost Dogs: On Killers and Kin, was published in March 2024. Dubus has been a finalist for the National Book Award, and has been awarded a Guggenheim Fellowship, The National Magazine Award for Fiction, three Pushcart Prizes, and is a recipient of an American Academy of Arts and Letters Award in Literature. He teaches at the University of Massachusetts Lowell.
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This week’s Memoir Nation show shares a story of poverty, and shines light on a particular kind of story that’s much more prevalent than many of us would like to think. Guest Suzette Partido writes in her new book, Love Will Save Us, Right?, about how she slid into poverty, the struggles she and her family face given that everything is uncertain. And yet, this is a book about love and looking out for family, and about how we survive, and how we brace for what we cannot control. This is a tough but also sweet and heartfelt episode about writing into the challenges of our lives without pity—and even with humor.
Suzette Partido has worked as a community developer and non-profit organizer for three decades. She trained as an AIDS chaplain, street outreach worker, substance abuse counselor, reproductive health educator, volunteer coordinator, and public speaker. She managed an HHSA community liaison for children's public behavioral health and served as the Director of Education for a local affiliate of the National Alliance on Mental Illness. She lives with her neurodivergent young adult son and her wife inside a ten-by-ten canvas tent in her mother's backyard in San Diego, and her memoir is Love Will Save Us, Right? .
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