Bookends with Mattea Roach

When Mai Nguyen lost her daughter just days after she was born, writing about a similar character in a novel brought her comfort. Her new book, Cleo Dang Would Rather Be Dead, is a heartbreaking but humorous novel about a grieving mother who starts working at a funeral home. Cleo Dang’s world is shattered when she loses her newborn due to complications during labour. Drowning in grief and the discomfort of friends and family, she takes a job at a funeral home and comes to learn intimately about her own loss and what grief means for others. It’s a deeply personal story based on Mai’s own experiences, and despite the subject, she tells the story with levity and hope. This week, Mai tells Mattea Roach about her own grief journey, balancing sorrow and laughter and why she was wrong about funeral home employees.

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Sarah Leavitt: Illustrating grief too wide for words
What is extreme caretaking?

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The “wolf hour” is a term for the deep-night period between roughly three and four in the morning. The world is quiet, your guard is down … and if you’re anything like the thriller writer Jo Nesbø, it’s the perfect time to put some of your darkest thoughts to the page. Wolf Hour is the latest of Jo’s gritty crime novels. It’s an immersive story about a troubled detective and a Norwegian journalist solving the same Minneapolis murder, six years apart. Like many of Jo’s books, it’s a “Nordic noir” thriller that explores what drives people to evil … and if there’s a monster in all of us. This week, Jo tells Mattea Roach about exploring humanity’s dark side, adapting his work for television and why all crime writing is political.

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When young men murder, what can we learn?
Chris Hadfield — from astronaut to author

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In Caro Claire Burke’s debut novel, Yesteryear, a modern day tradwife influencer shares her picturesque farm life with 8 million followers … until one day, she wakes up in the 1800s and has to do it all for real. No running water, no electricity and no way out. But is she really in the past? How far will she go to get back to her perfect life? And how perfect was that life, really? Yesteryear is a twisty, compelling look at what the tradwife trend tells us about fame, tradition and womanhood. This week, Caro joins Mattea Roach to talk about her surprising tradwife protagonist, performing femininity and the Anne Hathaway film adaptation in the works.

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Justice for Murder Bimbo!
What is a stag dance?

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Ben Lerner’s new novel is all about how technology shapes memory and connection … and it kicks off when a guy breaks his phone. In Transcription, a man is conducting one final interview with his 90-year-old mentor and celebrated academic, Thomas. When the narrator accidentally breaks his phone before the interview, he can’t bring himself to admit it to Thomas. He does the interview anyway, pretending that he’s recording. Ben uses this premise to explore how technology can both store and destroy memory, and how the changing role of devices is altering our relationships with one another. This week, Ben joins Mattea Roach to talk about interrogating art and fatherhood, staying human in a world of devices and if technology can really capture true connection.

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1 marriage, 2 mid-life crises … and a guy named Gluten
Nnedi Okorafor: Bringing a writer to life in Death of the Author

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Even if you’re living in a dystopia, life goes on. Carrianne Leung’s new novel, Wonderland Road, is about making it work and finding hope in a collapsing society. In a world where basic structures of society fall apart and a mega-corporation rules all, the people of a small suburban community must figure out how to move forward — even when they don’t quite know where “forward” leads. Much like Carrianne’s other work, Wonderland Road explores the tensions that live within families and communities, and though it takes place in the future, familiar divisions of power, class, race and gender are hiding in plain sight. This week, Carrianne tells Mattea Roach about finding hope in a dystopia, her love for Scarborough and why the original protagonist of the book was a raccoon.

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Writing about catastrophe gives Madeleine Thien courage
How long could you lie about who you are?

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