Behind the Mic With Kirkus Reviews

Jo Reed talks with Laura Rossi about three Earphones
Award–winning audiobooks that showcase the range and power of great narration. In Caro Claire Burke’s Yesteryear, Rebecca Lowman gives surprising dimension to a deeply unlikable trad-wife influencer whose carefully constructed life takes an unexpected turn. Jenny Jackson’s The Shampoo Effect, read by Marin Ireland, follows four complicated women through a summer in coastal Massachusetts, with Ireland making each character distinct through subtle shifts in rhythm, pitch, and attitude. And in Transcendent, Laverne Cox narrates her own story with vulnerability and candor, sharing painful experiences from her childhood and reflecting on gender, race, and the struggle to live as her authentic self. Three very different audiobooks, each offering its own reminder of what makes listening such a distinctive experience.



Audiobooks Discussed:

Yesteryear
by Caro Claire Burke, read by Rebecca Lowman (Random House Audio)

The Shampoo Effect by Jenny Jackson, read by Marin Ireland (Penguin Audio)

Transcendent: A Memoir written and read by Laverne Cox (Simon & Schuster Audio)



Support for Behind the Mic with Kirkus Reviews comes from Harper Audio, producer of audiobooks by HarperCollins Focus and HarperCollins Christian Publishing, publishers of some of your favorite authors, including Reba McEntire, Bob Goff, Savannah Guthrie, Max Lucado, Lysa TerKeurst, and so many more!

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Jo Reed and Michele Cobb dig into three Earphones Award–winning police procedurals, each pairing a compelling investigator with a
narrator who knows how to build suspense. In Missing by E.A. Jackson,
Nicola Walker’s understated, magnetic performance and English accent capture Detective Inspector Martha Allen’s intelligence and persistence as a decades-old case pulls her back in. Dervla McTiernan’s Three Reasons for
Revenge, read by Alison McGirr and set in Melbourne, Australia, follows
Detective Sergeant Judith Lee through a brutal, psychologically driven
investigation, with McGirr handling both the emotional stakes and the novel’s mounting tension. And in Michael Connelly’s Ironwood, narrator Will Damron returns as Detective Sergeant Stilwell, bringing a steady sense of urgency to an investigation on Catalina Island—with welcome appearances from Renée Ballard and Harry Bosch. Three very different detectives, three accomplished narrators, and three mystery audiobooks that earned their Earphones Awards.



Audiobooks Discussed:

Missing by E.A. Jackson, read by Nicola Walker (Simon & Schuster Audio)

Three Reasons for Revenge by Dervla McTiernan, read by Alison McGirr (Harper Audio)

Ironwood by Michael Connelly, read by Will Damron (Hachette Audio)

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Jo Reed talks with contributor Stephen Cummings about three
memoirs created with audio at their center, using performance, archival clips, live recordings, and the human voice to tell their stories. Billy Eichner looks back at his Queens childhood, his rise through Billy on the Street, and the creation of the film Bros in Billy on Billy, an audio-only memoir that mixes his narration with clips from his career and reveals a more
reflective side of the famously confrontational comedian. In Peeing in an
Empty Bottle, comedian Roz Hernandez takes listeners along on a solo tour through the South and Midwest, combining exuberant narration with live performances and recorded conversations that explore comedy, community, and the realities of traveling through America as a transgender woman. Voice actor Billy West draws on his extraordinary vocal range in Voice-A-Versa, a memoir in which his honesty is as striking as his virtuosity. West moves from a painful childhood to the many characters he created for dozens of commercials and TV programs such as The Ren & Stimpy Show and Futurama (among many others), as well as his years on The Howard Stern Show. Together, the three audiobooks show what happens when memoir is conceived for the ear, making the voices, performances, and sounds of a life part of the storytelling itself.



Audiobooks Discussed:

Billy on Billy: An Audio Memoir, written and read by Billy Eichner (Macmillan Audio)

Peeing in an Empty Bottle (And Other Glamorous Shenanigans of an Almost-Famous Transgender Comedienne on the Road), written and read by Roz Hernandez (Simon & Schuster Audio)

Voice-A-Versa: Finding My Voice(s) Behind the Mic, written and read by Billy West (Recorded Books Inc.)

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Host Jo Reed and contributor Leslie Fine explore three distinctive
novels and the narrators who shape the listening experience. In Sarah Damoff’s The Burning Side, Stacy Gonzalez, Timothy Andrés Pabon, and Jackie Sanders portray members of a family in crisis, with Sanders’ warm, multidimensional performance as the family matriarch a particular standout. Elizabeth Strout’s extraordinary The Things We Never Say finds an ideal interpreter in Golden Voice Robert Petkoff, whose beautifully restrained Earphones Award–winning performance captures Artie’s loneliness and vulnerability while allowing Strout’s remarkable portrait of community, connection, and ordinary life to speak for itself. And in Emma Straub’s American Fantasy, Marin Ireland brings humanity and personality to three very different characters aboard a boy-band nostalgia cruise, making a light, pleasant novel considerably richer in audio. Jo and Leslie consider what happens when narrators know exactly how much—or how little—to do, and how the right performance can deepen an already
exceptional novel or add dimension to a lighter one.



Audiobooks Discussed:

The Burning Side by Sarah Damoff, read by Stacy Gonzalez, Timothy Andrés Pabon & Jackie Sanders (Simon & Schuster Audio)

The Things We Never Say by
Elizabeth Strout, read by Robert Petkoff (Random House Audio)

American Fantasy by Emma Straub, read by Marin Ireland (Penguin
Audio)

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Host Jo Reed talks with contributor Kendra Winchester about
three audiobooks that explore disability and offer distinct perspectives on
community, resilience, and belonging. They begin with Mother Tongue by
Sara Nović, narrated by Lisa Flanagan, a memoir that blends personal experience with Deaf history and culture while using inventive audio production to incorporate ASL into the listening experience. Next is A Way Home by Cinelle Barnes, read by the author, a brilliantly written,
emotionally layered memoir that interweaves recovery from a brain aneurysm, an overdue return to the Philippines, and a search for home and self, with Barnes’ authentic narration adding another dimension to the listening experience. They conclude with All My Dead Cats and Other Losses by s.e. smith, performed by Em Grosland, which uses the stories of the author's cats as springboards for a thoughtful exploration of grief, disability, memory, and the many ways we mourn, with Grosland’s restrained, deeply empathetic narration giving Smith's reflections room to resonate. Together, these three audiobooks invite listeners to rethink disability—not as a single experience but as a rich and varied part of what it means to be human.



Audiobooks Discussed

Mother Tongue by Sara Nović, read by Lisa Flanagan (Random House Audio)

A Way Home: A Memoir of Losing Yourself, and the Beauty of Returning written and read by Cinelle Barnes (Brilliance Audio)

All My Dead Cats and Other Losses: Practicing Good Grief in a Culture That Fears Mourning by s.e. smith, read by Em Grosland (Harper Audio)

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