Bureau of Lost Culture

We are joined by oral historian and broadcaster Alan Dein.

We discuss the history, culture and technology of the coin-operated machines that allowed ordinary people to make a record of themselves in the West (and, in adapted bootlegged form, to create records of forbidden music in the Soviet Union) long before the advent of tape or digital recording.

We hear a selection of extraordinary recordings of strange, moving voices from Alan’s collection and learn how the records were used to send messages home from the war, record visits to tourist destinations or to capture the sounds of loved ones in a way that had never been possible before.

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Thank you to everyone who’s signed up to support the show —that means a lot. We have chosen not to carry ads here; it simply wouldn’t sit right with the spirit of the Bureau. But that does mean we can benefit from your support, in whatever form that takes, not just financial.  

Stephen

BILLY BRAGG pays a visit to the Bureau to lead us on an extraordinary whirlwind tour through the music that the counterculture forgot.
 
Along the way we hear about the emergence of The Teenager in post-war Britain, the massive impact of Rock Around the Clock, the Soho espresso bar culture of the 50s and the birth of British youth culture.
 
We explore why Skiffle, which soundtracked that youth culture for a few intense years and was the inspiration for musicians in The Beatles, Led Zeppelin, The Who and The Rolling Stones, has been oddly forgotten.  And Billy explains why, as the first British DIY musical revolution, Skiffle provided the template for the Punk movement of the 70s that was to inspire him.
 
Along the way, we get educated about the post war 'trad jazz' movement, the cultural stranglehold of the BBC - and the terrific transformatory power of a guy - or a girl - with a guitar.
 
For more on Billy and his book Roots, Radicals and Rockers:
https://www.billybragg.co.uk/product/roots-radicals-and-rockers-how-skiffle-changed-the-world-hardback-signed-by-billy/
 
Billy's Top Five Skiffle Tunes
https://youtube.com/playlist?list=PLZtMpev7GhPIi-e2ajPxUd_FVyUQxMBbB
 

For more on the Bureau of Lost Culture
www.bureauoflostculture.com 

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If you can contribute to this crazy endeavour, join our Patreon HERE

Thank you to everyone who’s signed up to support the show —that means a lot. We have chosen not to carry ads here; it simply wouldn’t sit right with the spirit of the Bureau. But that does mean we can benefit from your support, in whatever form that takes, not just financial.  

Stephen

In the company of historian of drugs, MIKE JAY, we journey back to the first psychedelic age - not the 1960s, but the 1790s, when Britain was at the forefront, at the frontier, of gonzo psychedelic science. 

We explore the world of the 'Pneumatic Institution' in Bristol,  a community of scientists, poets, philosophers, and industrial entrepreneurs who formed a kind of proto-counterculture led by the extraordinary talents of polymath Thomas Beddoes and the boy genius Humphry Davy.

We hear about Davy's use of nitrous oxide - laughing gas - and the self-experiments and consciousness-expanding trips he and his friends experienced as a gateway to radical societal ideas and revolutionary thought, laying the groundwork for later countercultures and today's psychedelic renaissance.

More on Mike and his book Free Radicals: How a Group of Romantic Experimenters Gave Birth to Psychedelic Science.

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If you can contribute to this crazy endeavour, join our Patreon HERE
 
Thank you to everyone who’s signed up to support the show —that means a lot. We have chosen not to carry ads here; it simply wouldn’t sit right with the spirit of the Bureau. But that does mean we can benefit from your support, in whatever form that takes, not just financial.  
 
Stephen

Ever thought the so-called ‘golden decade’ of the 1960s was only about peace and love? Think again. Beneath the surface, it was riddled with violence, paranoia, and chaos, even in its most iconic moments.

 
So says James Riley, a writer whose work explores the darker edges of late-1960s and 1970s counterculture. His 'The Bad Trip' is an acclaimed study of apocalypse, occultism, paranoia and the collapse of the hippie dream at the end of the 1960s.

 

We examine the romanticised narrative of peace, love, and idealism, revealing how beneath the surface lurked a shadow of violence, paranoia, and societal fractures. How figures like Charles Manson emerged not as aberrations, but as products and archetypes of the era. 
 
We talk Jung, LSD, The Trickster archetype, Manson, John Lennon and Yoko Ono, the committee for The Summer of Love, to see how the darkness beneath the light reveals more about human nature than the utopian stories we often tell, and how it was the inspiration for some truly great art.
 
For the list of countercultural films we discuss - and more - go HERE 
 

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If you can contribute to this crazy endeavour, join our Patreon HERE
 
Thank you to everyone who’s signed up to support the show —that means a lot. We have chosen not to carry ads here; it simply wouldn’t sit right with the spirit of the Bureau. But that does mean we can benefit from your support, in whatever form that takes, not just financial.  
 
Stephen
 

#Counterculture
#1960sRevolution
#DarkSideOfThe60s
#CulturalLegacy
#PsychedelicEra
#MansonMyth
#Altamont
#AquarianAge
#ShadowAndLight
#CulturalHistory

The Weather Underground, The Baader-Meinhof Group, The Red Brigade, Carlos the Jackal, The Japanese Red Army.

The counterculture has always had a shadow side. There have been bad actors, casualties, the needle and the damage done -  and in this episode, we dive into the world of revolutionary and political violence, exploring how radical groups emerged from countercultural movements and evolved into what my guest Jason Burke describes as Revolutionists
 
 

Jason is an award-winning British author and journalist, currently serving as the International Security Correspondent for The Guardian. He is widely regarded as one of the preeminent experts on modern radicalisation, terrorism, and global security, reporting from hotspots around the world.
 
 
His latest book, The Revolutionists: The Story of the Extremists Who Hijacked the 1970s, is an extraordinary sweeping history of the period  1968–1979, a decade defined by a global explosion of secular, leftist political violence. 
 
 
The Revolutionists were the orphans of the 1960s, young people who grew up in a 1950s existential vacuum of consumerism and a 1960s idealistic overload. When the student protests of 1968 failed to topple the global order, a radicalised minority concluded that the "System" was too resilient for peaceful protest. Violence and spectacle in a 'theatre of terror' might be the answer.
 
 

It's an incredible story - and links the counterculture, through 9/11 with events taking place in the Middle East right now.
 
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If you’d like to get involved and contribute to this crazy endeavour, join our Patreon HERE
 
Thank you to everyone who’s signed up to support the show —that means a lot. We have chosen not to carry ads here; it simply wouldn’t sit right with the spirit of the Bureau. But that does mean we can benefit from your support, in whatever form that takes, not just financial.  
 
Stephen
 
#counterculture #terrorist #terrorism #revolution #revolutionists #TheWeatherUnderground, #TheBaader-MeinhofGroup, #TheRedBrigade,  #TheJapaneseRedArmy #Baader-Meinhof #carlosthejackal