We've got another incredible episode this week with Matt Lewis coming in to talk about his absolute triumph of a series Adolescence, in which each of the four hour-long episodes was shot in a single take.Enjoy!► F&R Online ► Support F&R► Watch on YouTube Produced by Kenny McMillan► Website ► Instagram
This week we've got an absolute treat of an episode! Joining me is Andor Cinematographer Christophe Nuyens, SBC who shot episodes 1-6 (which of course includes your favorite wedding scene).Enjoy!► F&R Online ► Support F&R► Watch on YouTube Produced by Kenny McMillan► Website ► Instagram
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1:17:16
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1:17:16
202: ARRI Lens Specialist Art Adams
In the second part of our 2 "ARRI" episodes, we have Lens Specialist Art Adams on to talk about the lenses ARRI offers, but also about his work as a cameraman and cinematographer himself, sharing knowledge he's picked up over the years as he does so well as my colleague and fellow contributor at ProVideoCoalition.com!Enjoy!► F&R Online ► Support F&R► Watch on YouTube Produced by Kenny McMillan► Website ► Instagram
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1:24:48
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1:24:48
201: ARRI Product Manager Chase Hagen
In part 1 of 2 "ARRI" episodes, we have Product Manager Chase Hagen on to talk about the camera side of things at ARRI (and a whole lot more)!Enjoy!► F&R Online ► Support F&R► Watch on YouTube Produced by Kenny McMillan► Website ► Instagram
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1:25:37
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200: "The Threesome" Cinematographer Sing Yam
Bringing in the big 200 we've got Sing Yam, Cinematographer of The Threesome which premiered at SXSW earlier this year!Sing's work includes Henry Johnson, Sweet Dreams, 9 Minutes, and a litany of commercials and music videos with artists like Eminem, Billie Eilish, SZA, and Action Bronson.Enjoy!► F&R Online ► Support F&R► Watch on YouTube Produced by Kenny McMillan► Website ► Instagram
Frame & Reference is a conversation between Cinematographers hosted by Kenny McMillan. Each episode dives into the respective DP's current and past work, as well as what influences and inspires them. These discussions are an entertaining and informative look in to the world making films through the lens of the people who shoot them.
Ireland