Kyle Meredith With...

• John Densmore on 60 Years of The Doors, Post-Myth Legacy, and the Genius of Jim Morrison

  John Densmore joins Kyle Meredith With… to celebrate 60 years of The Doors, discussing the band’s new archival live releases, their signature improvisational style, and the post-myth era where the music now speaks louder than the legend. He reflects on Jim Morrison’s poetic genius, the creative interplay between band members—especially between his drumming and Ray Manzarek’s left-hand bass—and why the group thrived as a trio. Densmore also shares memories behind deeper cuts like “Palace in the Canyon” and the evolution of epics like “The End,” which, in hindsight, served as a poetic farewell. He touches on the band’s Kennedy Center snub, his upcoming jazz and hip-hop projects, and his recent onstage reunion with guitarist Robby Krieger at the Whisky a Go Go.Listen to John Densmore chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

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• Hannah John-Kamen on Thunderbolts, Playing Ghost Again, and Why This Might Be Marvel’s Most Personal Film Yet

  Hannah John-Kamen returns to the MCU in Thunderbolts*, reprising her role as Ghost — a character who’s now less flickery rage-machine, more emotionally self-aware loner with sarcasm issues. The film trades in the usual spandex-and-quips formula for something darker: guilt, depression, shame, and what happens when the Avengers forget your name. It’s a Marvel movie by way of group therapy, and she’s here for it. The actress spoke with Kyle Meredith all about it, and you can listen to the conversation now.John-Kamen breaks down how Ghost has evolved — more control, a cooler suit, and a lot less murder-y panic. She didn’t bother rewatching 2018's Ant-Man and the Wasp, choosing instead to reenter the role like a totally different person, because, well, Ghost is a totally different person now. There’s also some talk about finding British sarcasm in the middle of emotional trauma, improv sessions with Wyatt Russell and Florence Pugh, and the existential experience of filming a Marvel movie that isn’t just a CGI fireworks display.In case playing a tortured ex-villain wasn’t enough, turns out John-Kamen also writes songs, plays piano, and is maybe about to collaborate with a Brit Award winner. So, you know, in her downtime between blockbusters and inevitable crossover appearances, she might also casually launch a music career. Some people just walk through walls; others do that and book studio time.Listen to Hannah John-Kamen chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

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• Gene Simmons on the Death of Rock, Vegas Plans, and 50 Years of Dressed To Kill

  Gene Simmons returns to Kyle Meredith With… to celebrate the 50th anniversary of KISS’s Dressed to Kill, the album that gave us the studio version of “Rock and Roll All Nite”—which, according to Gene, may or may not qualify as a hit depending on your definition of the word. Listen now.Simmons reflects on the bands origins as four “unqualified” New Yorkers in makeup and heels who somehow ended up headlining stadiums. He also talks about life after the “final” KISS tour, which includes his new film production company (including working on a new movie with Bella Thorne and Mel Gibson), restaurants, vodka brand, and whatever else you can slap a Moneybag™ on. He’ll also return to Vegas with KISS later this year — not in makeup — for a KISS Army celebration.As always, Gene has opinions. On streaming: it ruined music ("Where's the new Beatles? Where's Elvis?"). On critics: they’re talentless ("...They don't really wanna work for a living, but they can't play instruments and have no talent."). On opera: pure agony. On the Ramones: “a failed band.” And on you? Well, if you’re still buying tickets or spinning the records, he loves you. Either way, Gene’s still here, still loud, and still allergic to subtlety.Listen to Gene Simmons chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

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• Kevin Bacon & Jennifer Nettles on The Bondsman, Writing From a Character’s Soul, and That Helluva Soundtrack

  Kevin Bacon and Jennifer Nettles join Kyle Meredith to talk about The Bondsman, Prime Video’s new supernatural dramedy where Bacon plays a dead bounty hunter who gets resurrected to do the devil's bidding. It’s a Blumhouse show, so expect a dash of horror, a dollop of weird, and a good amount of twang. Nettles, best known as half of Sugarland and her role in The Righteous Gemstones, finally plays a musician on-screen — something she’s avoided until now for fear of being accused of, well, playing herself. Listen now.Bacon and Nettles talk about the awkward charm of writing songs via voice memo ping-pong, the joys of channeling trauma into duets, and how most actors aren’t writing character-based albums because, frankly, they can’t. Bacon credits Nettles’ songwriting chops. Nettles calls Bacon a great lyricist. Somewhere in the middle, they form a spooky Americana dream team you didn’t know you needed.Listen to Kevin Bacon and Jennifer Nettles chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Read lessAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

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• Counting Crows’ Adam Duritz on Butter Miracle, Lost Songs, and Live Favorites

  Adam Duritz joins Kyle Meredith to dive deep into Butter Miracle, The Complete Sweets!, the long-awaited completion of Counting Crows’ two-part album project. The singer opens up about the two-year pause he took due to a crisis of confidence, and how a record by Gang of Youths inspired a complete rewrite where he scrapped and reworked an entire batch of songs for the first time in his career. Listen now.During the in depth conversation, Duritz reflects on Counting Crows’ early days, including why B-side “Einstein on the Beach” was released against his wishes, how fears of backlash shaped their post-August and Everything After strategy, and what really happened to the lost master tapes from Recovering the Satellites. He also touches on fan-favorite deep and unreleased cuts like "Baby I'm A Big Star Now," “Margery Dreams of Horses,” and “Shallow Days,” and why the band still hasn’t made a rarities compilation.Listen to Adam Duritz chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

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