Tarwida

What makes a place feel like itself? In this episode of Tarwida, Palestinian architect Elias Khuri explores architecture as a layering of people, histories, nature, language, and memory.
We discuss his latest installation "Noon Insan," through which he reveals his connection to Palestinian writers and artists Elias Khoury and Kamal Boullata. What Boullata attempted to do visually, and what Elias Khoury attempted to do through language, Khuri is attempting to do through architecture.
Reflecting on several of his projects, including a house built around 12 ancient olive trees and his work on restoring the historic Khan Jaljulia, Khuri explains how a sense of place can be lost when buildings are separated from their surroundings as opposed to when they are built with what is already there.
Finally, Khuri revisits important features of Arab architecture that are increasingly disappearing with modern, capitalist modes of construction, including intimate third spaces such as the hosh and riwaq.
This episode was recorded on August 16th, 2026. You can watch it with English subtitles on YouTube here.
Tarwida is a series of conversations that bring Palestinian arts, culture, and heritage to the forefront. We hear from artists, including writers, filmmakers, musicians, architects, and more, about their very own Palestine.
In a nutshell, if you want to know more about (Creative) Palestine, this is the place to be.
This episode is hosted by Tala Elissa. Our associate producers are Zeena Shehadeh and Ahmed Ashour. Lead producer is Tala Elissa. Executive producer is Zina Jardaneh. Social media by Lara Dihmis. Social media VO by Afaf Shawwa Bibi. Research and copywriting by Dima Sharif. Branding by Sara Sukhun. Theme music includes excerpts from Clarissa Bitar, The Popular Art Centre - مركز الفن الشعبي & Rim Banna. Intro music by Terez Sliman.

Follow us on socials @tarwidapodcast
Relevant links & resources:
Follow Elias Khuri on Instagram (@elias_khuri)
Visit Tanas
Read Noon Insan by Elias Khoury and Kamal Boullata
Learn more about Kamal Boullata
Read about the restoration of Khan Jaljulia
Visit Khuri’s 12 olive trees house

EPISODE CHAPTERS:

1:18 — Meet Elias Khuri: Becoming an Architect
3:41 — Mediterranean Architecture
4:27 — Noon: Elias’s favorite letter and its connection to Elias Khoury and Kamal Boullata
10:07 — Western vs. Arab Architecture
11:49 — Building Around 12 Olive Trees
16:50 — How Colonization Changed the Architecture of Palestine
19:43 — The Disappearance of the Hosh and Riwaq
23:12 — Restoring Khan Jaljulia
31:00 — Tanas and the Importance of a Shared Architectural Language

What happens when a city itself becomes an archive? In this episode, architect and historian Nadi Abusaada takes us through different Palestinian cities to explore how material traces can help reconstruct a history marked by destruction, displacement, and erasure.
The conversation begins with Abusaada's installation for Amman Design Week 2026, which reconstructs a lost fountain from Jerusalem's Palace Hotel using one surviving ceramic tile designed by Armenian ceramicist David Ohannessian. He then discusses his work curating the Palestinian Museum’s permanent exhibition, which challenges the idea of permanence and instead explores the ongoing process of making Palestinian history.
From there, we explore Palestinian landscapes and agricultural terraces as evidence of generations of knowledge, before turning to Jaffa and its transformation from a cosmopolitan Palestinian city into a caricatured version of itself, used as a backdrop for Israeli cultural production and gentrification.
The episode ultimately asks what it means to preserve history without freezing it, to reclaim the past without turning it into a fantasy, and to build contemporary spaces that are connected to the places, people, and histories that came before them.
This episode is produced in collaboration with Amman Design Week, opening its fourth edition October 2–17 under the theme "Accumulations."
The episode was recorded on August 3rd, 2026. Watch the episode on YouTube here.
Tarwida is a series of conversations that bring Palestinian arts, culture, and heritage to the forefront. We hear from artists, including writers, filmmakers, musicians, architects, and more, about their very own Palestine.
In a nutshell, if you want to know more about (Creative) Palestine, this is the place to be.
Follow us on socials @tarwidapodcast
Relevant links & resources:
Follow Nadi Abusaada on Instagram (@nadi.saadeh)
Visit the Palestinian Museum
Explore Amman Design Week and its 2026 edition, "Accumulations"
Check out Tawfik Canaan’s amulet collection
Read Samia Halabi’s article on Mustafa Al Hallaj
Learn more about Palestinian filmmaker Kamal Al Jafari and his film Recollection
Read Nadi Abusaada's article on Palestinian terraces
Learn more about The Destruction of Jerusalem’s Moroccan Quarter
Read more about David Ohannessian
EPISODE CHAPTERS:
01:33 – Introducing Nadi Abusaada and his connection to Jerusalem
05:00 – David Ohannessian and the Palace Hotel fountain
08:27 – Reconstructing Palestinian history from fragments
11:15 – Rethinking the "permanent" exhibition at the Palestinian Museum
16:30 – Mustafa Al Hallaj: when sculpture becomes impossible to carry
18:52 – Searching for Palestine in Israeli and colonial archives
21:48 – Palestinian terraces as material evidence
26:21 – Jaffa: the destruction and gentrification of a cosmopolitan Palestinian city
32:51 – Is Palestinian architecture more Palestinian or Arab?
38:20 – Why do we romanticize the Arab past?

Palestinian artist Dima Srouji doesn't work in one discipline — she works in scale. In this episode, we sit down with Srouji to trace her path from architecture school at Yale to becoming one of the region's leading voices in glass art, archaeology, and material heritage.
Srouji discusses the pivotal year of 2016 — leaving corporate architecture in New Haven and New York to move back to Palestine — and how a chance studio visit to a glassblowing family in Jaba' (who were, at the time, making chemistry beakers and bongs) launched a decade-long collaboration that evolved into serious research on ancient Roman and early Islamic glass traditions across Palestine, Lebanon, and Syria.
The conversation moves through the differences between Hebron and Jaba' glassmaking techniques, Srouji's forthcoming installation of 100 glass snails and figs at Qasr al-Abd for Amman Design Week 2026, and her ongoing work replicating looted Palestinian artifacts — including pieces from the Tell Ajul excavation — for permanent display at the Palestinian Museum. Srouji and Tala also discuss how Israeli archaeological practice has been used as a tool of land grabbing and erasure, from Sebastia to Silwan, and Srouji's recent work as a production designer reconstructing 1930s Silwan for a Palestinian feature film.
This episode is produced in collaboration with Amman Design Week, opening its fourth edition October 2–17 under the theme "Accumulations."
This episode is hosted by Tala Elissa. Our associate producers are Zeena Shehadeh and Ahmed Ashour. Lead producer is Tala Elissa. Executive producer is Zina Jardaneh. Social media by Lara Dihmis. Social media VO by Afaf Shawwa Bibi. Research and copywriting by Dima Sharif. Branding by Sara Sukhun. Theme music includes excerpts from Clarissa Bitar, The Popular Art Centre - مركز الفن الشعبي & Rim Banna. Intro music by Terez Sliman.
The episode was recorded on August 3rd, 2026. Watch the episode on YouTube here.
Tarwida is a series of conversations that bring Palestinian arts, culture, and heritage to the forefront. We hear from artists, including writers, filmmakers, musicians, architects, and more, about their very own Palestine.
In a nutshell, if you want to know more about (Creative) Palestine, this is the place to be.
Follow us on socials @tarwidapodcast
Relevant links & resources:
Check out more of Dima Srouji’s work (dimasrouji.com) and follow her on socials (@dimasrouji) Ghosts collection (V&A/Met/Penn Museum replica project): dimasrouji.com/ghosts
Bio & profile, Royal College of Art: rca.ac.uk/more/staff/dima-srouji
Profile, Lawrie Shabibi gallery: lawrieshabibi.com/artists/187-dima-srouji
"Meet the Palestinian Architect Creating Ethereal Glass Vessels," Galerie Magazine: galeriemagazine.com/dima-srouji

Explore more about Amman Design Week (ammandesignweek.com) and their upcoming exhibition, “Accumulations”
Learn more about Sebastia: UNESCO World Heritage Centre listing: whc.unesco.org/en/list/1809
Al Jazeera, "Will UNESCO's heritage listing halt Israeli plans for Sebastia?": aljazeera.com/news/2026/7/27
WAFA, official Palestinian announcement: english.wafa.ps/Pages/Details/172880

Support Save Silwan (@savesilwan)
Read Nadia Abu El-Haj’s book, Facts on the Ground: Archaeological Practice and Territorial Self-Fashioning in Israeli Society (2001)
Learn more about Palestinian artist and art historian, Kamal Boullata

Few artists have captured the soul of Palestine the way Sliman Mansour has. His paintings featuring olive trees, stone terraces, mud, and the steadfast women of the land have carried Palestine across generations and borders. In this conversation, Mansour looks back on his childhood as well as the mischief and hardships that shaped him. A pioneer of contemporary Palestinian art and a teacher who rooted creativity in local materials, he speaks with humor and sharp honesty about what art means to him, sharing not only his achievements but also his moments of fragility and disappointments.

This episode is hosted by Tala Elissa. Tarwida’s lead producer is Tala Elissa. Our executive producer is Zina Jardaneh. Our associate producer is Zeena Shehadeh. Social media by Leen Karadsheh. Research and copywriting by Dima Sharif. Branding by Sara Sukhun. Theme music includes excerpts from Clarissa Bitar, The Popular Art Centre - مركز الفن الشعبي & Rim Banna. This conversation was conducted in Arabic and recorded on July 8, 2025. You can watch it with English subtitles on YouTube through this link. Tarwida is a series of conversations that bring Palestinian arts, culture and heritage to the forefront. We hear from artists including writers, filmmakers, musicians, architects, culinary practitioners and more about their very own Palestine. In a nutshell, if you want to know more about (Creative) Palestine, this is the place to be. Follow us on @tarwidapodcast

This episode was originally published on September 15th, 2025. Listen to this episode on YouTube here.

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Relevant links and Resources:

- Follow Sliman Mansour on Instagram @sliman.mansour Purchase Mansour’s artwork through his website (https://slimanmansour.com/palestinian...) or on Zawyeh (https://zawyeh.store/product-category...)

- Learn more about Ismail Shammout (https://www.palquest.org/en/biography...)

- Learn more about Bashar Khalaf (https://zawyeh.net/bashar-khalaf/)

"Establish our own discourse. Theirs is rotten. We don't need it."

That's Samia Halaby — Palestinian abstract painter, scholar, activist, and at 89, one of the most vital voices in contemporary art — speaking directly to the next generation of Palestinian artists. In today’s episode, Tala sits down with Samia for a wide-ranging conversation that spans childhood in Jerusalem, decades of painting and teaching, and a career defined as much by what the art world tried to suppress as by what it eventually had to celebrate.

Born in 1936 during the Arab Revolt in Palestine, Samia was displaced with her family at age 11 during the 1948 Nakba. Those first 11 years — absorbed visually, intensely, synesthetically — became the foundation for a lifetime of looking. Samia describes how as a child she assigned colors and shapes to sounds and how her grandmother's apple-seed recipe came to symbolize everything lost in 1948.

The episode moves through her development as a painter, her rejection of "self-expression" as a capitalist myth, her conviction that abstraction is a tool for understanding reality rather than decorating it, and the way she was backed into becoming an artist at her mother's encouragement. She discusses her landmark work on the Kafr Qasem massacre — a book of documentary drawings now published in Arabic — and the very different choice she made with Massacre of the Innocents (2024), an abstract response to Gaza where documentation wasn't needed because the world was already watching.

Tala and Samia also discuss the censorship that defined recent years: Indiana University's cancellation of her retrospective in December 2023, Michigan State's removal of Six Golden Heroes in 2024, and what she learned about institutional cowardice and the differences between administrations, professors, and students. As she puts it: "They handed me proof everlasting that they're racist."

This episode is hosted and produced by Tala Elissa. Our associate producer is Zeena Shehadeh. Executive producer is Zina Jardaneh. Social media by Rajae Shehadeh. Research and copywriting by Dima Sharif. Branding by Sara Sukhun. Theme music includes excerpts from Clarissa Bitar, The Popular Art Centre - مركز الفن الشعبي & Rim Banna. Intro music by Terez Sliman. 

The episode was recorded on May 28th, 2026. Watch the episode on YouTube here.

Tarwida is a series of conversations that bring Palestinian arts, culture, and heritage to the forefront. We hear from artists, including writers, filmmakers, musicians, architects, and more, about their very own Palestine.

In a nutshell, if you want to know more about (Creative) Palestine, this is the place to be.

Follow us on socials @tarwidapodcast

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Relevant links & resources: 

Read more about Samia Halaby 

Follow Samia Halaby 

Read her book, Drawing the Kafr Qasem Massacre

Samia Halaby wins Munch Award for Artistic Freedom (2025) 

"We Refused" exhibition — Doha/Antwerp 

Read more about the Kafr Qasem massacre 

Learn more about Vera Tamari 

Learn more about Mona Saudi 

Learn more about Rima Nasir Tarazi 

Learn more about Sophie Halaby 

 

Episode Chapters: 

00:00:00 The apple seeds recipe her grandmother never got to share 

00:00:33 Introducing Samia Halaby 

00:02:00 Born in 1936, the year of the Arab Revolt 

00:03:15 Growing up in Palestine: 11 years of visual wonder 

00:05:30 Synesthesia: seeing color and shape in sound 

00:10:15 Her grandmother: role model, matriarch & the autobiography Apple Seeds 

00:12:30 Witnessing the Nakba: her father injured in Jaffa, January 1948 

00:14:45 How she became an artist — "I backed into it" 

00:17:00 Rejecting self-expression: art as craft, not therapy 

00:21:30 Nature, Islamic architecture & the evolution of her abstract work 

00:28:00 "Palestine is the Anvil" — the painting behind her 

00:30:00 Documenting the Kafr Qasem Massacre through drawing 

00:35:45 Gaza and Massacre of the Innocents (2024) 

00:38:15 Political posters: pro-Palestine propaganda and activism 

00:48:00 Pioneering computer art in the 1980s — and why AI is a hard no 

00:53:30 Academia, galleries & who really decides what art matters 

00:57:15 Indiana University censorship & Michigan State's removal of Six Golden Heroes 

01:01:15 Black is Beautiful (1969) and its Venice Biennale appearance in 2024 

01:05:00 Message to young Palestinian artists: "Be confident. Don't let them stop you."