PodcastsArtsThe Art Business

The Art Business

David Bellingham
The Art Business
Latest episode

79 episodes

  • The Art Business

    Narrative Framing: How an MA Art Business Mentor Shaped an Emerging Artist’s Portfolio

    09/04/2026 | 58 mins.
    In this episode of the Art Business Podcast, host David speaks with Alisa Demchenko, an MA Art Business (Sotheby’s Institute, London) graduand, and Nilanjan Das, a printmaker and PhD artist from Bhubaneswar, NE India, about their optional TAF (The Arts Family) collaboration. They discuss Alisa’s dissertation on AI in art valuation and personalization, and how algorithmic visibility shapes how emerging artists present their work online.

    The conversation explores Nilanjan’s practice—serigraphy, cyanotype and concrete-board works that investigate public space, plant life, urban beautification and power structures—and how Elisa supported him with portfolio sequencing, narrative framing, artist statements, gallery research and strategic positioning for both UK and Indian contexts.

    Key takeaways include practical mentorship methods (regular remote meetings, clarity over reinvention), ethical boundaries for art-business professionals, the importance of artist statements and sequencing, and steps for presenting to galleries and curators. The episode closes with next steps, contact handles (LinkedIn for Alisa, Instagram for Nilanjan) and actionable advice for emerging artists and arts professionals.

     

    Links:

    https://www.linkedin.com/in/alisa-demchenko-bb24ab235/

    https://www.instagram.com/nelvsnel/?hl=en

    https://www.theartsfamily.com/artists/nilanjan-das

     

    music

    ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) 

    by TOT TAYLOR

    is used by kind permission of the artist

    ©Tot Taylor/Songmatic Music (2020)
  • The Art Business

    Bridging Intuition and Data: How AI Is Shaping the Primary Art Market with Shahane Hakobyan, Founder of ARTanalyst

    09/03/2026 | 1h 8 mins.
    Dr. David Bellingham speaks with Shahane Hakobyan, MA Art Business alumna and founder/CEO of ARTanalyst, about her journey from artist to gallery director to tech entrepreneur. They discuss the fragmented nature of art market data, the value of measuring financial, cultural and social indicators, and how ARTanalyst’s AI-driven platform helps galleries connect internal CRM and inventory data with external signals (auctions, press, social) to generate actionable insights, KPIs and meeting prep. They cover lessons from Art Dubai and Galerie Kornfeld, building and testing measurement frameworks, ethical data use and security, and the practical benefits of bringing analytics to the primary market. Shahane shares advice for emerging professionals, challenges of fundraising and adoption, and her vision for a networked, collaborative art ecosystem.

    Links:

    Website: https://artanalyst.ai/ 
     
    Gallery Centric-Demo (where you can try and test some of the features): https://app.artanalyst.ai/assistant 
     

    music

    ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) 

    by TOT TAYLOR

    is used by kind permission of the artist

    ©Tot Taylor/Songmatic Music (2020)
  • The Art Business

    Bliss on the Fourth Floor: Building a New Warsaw Gallery

    17/12/2025 | 1h 3 mins.
    We meet guests Kasia Piszkos (Art Director) and Lukasz Sinitsyn (Gallery Manager) live from Warsaw to discuss the founding of Bliss Gallery earlier in 2025, the meaning behind its name, and its location in a historic fourth‑floor apartment. They outline the gallery’s curatorial focus on abstraction and minimalism and describe standout shows such as Hydrofornia and Material Tendencies, plus their presentation of Urszula Bról at Artissima.

    The episode covers: practical gallery logistics (including installing water on an upper floor!); Warsaw’s gallery ecology and Warsaw Gallery Weekend; strategies for art fairs (Vienna, Artissima) and growing international ambitions; the role of social media; and plans to revisit overlooked Polish artists and collaborate with foreign curators.

    Links:

    https://blissgallery.pl/en/home/

    @bliss_warsaw

     

     

    music

    ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) 

    by TOT TAYLOR

    is used by kind permission of the artist

    ©Tot Taylor/Songmatic Music (2020)
  • The Art Business

    From Family Legacy to Global Vision: Inside Waddington Custot Gallery

    25/11/2025 | 54 mins.
    David Bellingham speaks with Victor Custot and Carmen Hu of Waddington Custot Gallery about continuing a 70-year family legacy, the gallery’s curatorial identity, and their approaches to artist representation and international engagement. They discuss the gallery’s focus on technical excellence, relationships with artist estates (including Peter Blake and Barry Flanagan), and recent contemporary exhibitions such as Qiong Er and textile artist Kenia Almaraz Murillo. The hosts also cover operational choices, including reconfiguring the reception to highlight artworks, and the role of gallery staff and technicians in executing ambitious shows.

    Victor and Carmen reflect on trends in collector behaviour post-pandemic, the importance of art fairs, online sales dynamics, and generational shifts in collecting. They share advice for MA Art Business students on finding a niche, being curious, and building long-term professional relationships. Listeners are invited to visit the gallery on Cork Street and follow updates at waddingtoncustot.com.

     

    music

    ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) 

    by TOT TAYLOR

    is used by kind permission of the artist

    ©Tot Taylor/Songmatic Music (2020)
  • The Art Business

    Art, Luxury and Market Power: Natasha Degen on the Future of Sotheby's Institute of Art New York

    18/11/2025 | 52 mins.
    Join host Dr David Bellingham, Programme Director of the MA in Art Business at Sotheby’s Institute of Art London, and guest Dr. Natasha Degen, incoming Director of Sotheby’s Institute of Art New York (January 2026), Chair of Art Market Studies at FIT, and author of The Market and Merchants of Style, for a wide-ranging conversation about the evolving art market and the future of art education.

    Natasha outlines her academic and professional journey from Princeton to China, the UK and New York, explaining what drew her to study the market side of art and how interdisciplinary training shaped her approach. She reflects on leading the MA in Art Market Studies at FIT, the challenges of curriculum design and the balance between academic rigour and practical vocational training for students seeking careers across galleries, auction houses, museums, fashion and luxury.

    The episode surveys major market shifts of the last decade: the impact of the 2008 financial crisis, China’s rise and contraction, and the pandemic’s role as an accelerator for digital sales, NFTs and online auctions. Natasha and David discuss globalization’s new phase, the rising cost of doing art business, and how auction houses have diversified into luxury, increasingly relying on luxury sales to offset fine art volatility.

    They explore the deepening convergence of art and fashion, from Warhol and Paul Poiret to contemporary brand collaborations, and consider how luxury houses and cultural institutions are reshaping value and taste. The conversation also tackles digital platforms, NFTs, and social media as new routes to recognition that have fractured traditional dealer-critic pathways.

    Natasha shares her vision for Sotheby’s Institute New York: strengthening academic programming, launching new offerings (including an MA in Luxury Business), leveraging ties with the auction house, and cultivating a close-knit, interdisciplinary student community. Ethics, law, sustainability, diversity and repatriation debates are highlighted as central topics that should be re-integrated into art-business curricula.

    Practical advice for students and early-career professionals focuses on identifying what excites you, playing to your strengths, being open to entrepreneurial paths, and recognizing the breadth of careers available, from studio management and logistics to artist representation and brand partnerships. Natasha concludes with a reading recommendation (Mary Davis’s Paul Poiret: Inventing Modern Luxury) and reflections on the continuing importance of fieldwork and international exposure despite environmental and ethical trade-offs.

    Expect an informed, candid and interdisciplinary conversation that bridges history, theory and market practice: essential listening for students, curators, collectors and anyone tracking the intersections of art, fashion, luxury and digital innovation.

     

    music

    ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) 

    by TOT TAYLOR

    is used by kind permission of the artist

    ©Tot Taylor/Songmatic Music (2020)

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About The Art Business

The Art Business is a bi-weekly podcast dedicated to talking about both cultural and business aspects of the art world with some of its key players. It is hosted by Dr David Bellingham, Programme Director of the MA in Art Business at Sotheby‘s Institute of Art London.
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