One of my longer efforts to date, this one is about Marvel Comics #1, the first issue by what would eventually become the juggernaut of American comic book publishing. In this podcast I discuss: just how many Jewish folk were an integral part of Golden Age comics Martin Goodman and his background, the pulps he worked on, and what got him into comics comics packagers and Funnies, Inc. all the moving parts that came together to produce Marvel Comics #1 the historical context in which Marvel Comics #1 appeared the six stories appearing in Marvel Comics #1, and what each one was about what the supposed influences were on Bill Everett when he created the Namor the Sub-Mariner story for Marvel Comics #1, and what were more likely the actual influences on him a bunch of stuff about the various comic book and pulp Ka-Zars a deep dive into the Namor the Sub-Mariner story in Marvel Comics #1--its plot, what it did that was new, and what set Namor apart from virtually every other character in the popular culture of the time and, unfortunately, an element of the Namor stories of the Golden Age that requires a Content Warning to listen to I think this is a pretty good podcast, but I'm not kidding about the content warning--I discuss some pretty dark and potentially triggering stuff. Caveat emptor.
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Episode 25: Rin Tin Tin #1
In this episode, which is ostensibly about the Spanish comic Rin-Tin-Tin, I go allll over the place. (Sorry). I begin with the early history of theater among the Egyptians and then the Greeks, discuss their use of animals on-stage, proceed to the Romans (who loved having animals on-stage, my goodness!), briefly describe the use of animals on-stage leading up to vaudeville, then vaudeville, the dime novels with heroic animals, the early silent films with heroic animals (there are several I single out and describe their histories), the stars among the movie animals of the 1920s, the debut of Rin Tin Tin--who didn't save Warner Brothers studio all by himself, despite the Hollywood legend--Rin Tin Tin's popularity around the world, Celebrity Pulps, how and why a Spanish comics publisher decided to make a comic about the real-life adventures of Rin Tin Tin, why it was a runaway success, Rex the Wonder Dog (because of course), ideasplosions, the awesomeness of Jesus de Aragon's Los piratas del aire (1929), various Spanish comics that made adroit use of ideasplosions, the ideasplosions of Rin-Tin-Tin, and the influence of Rin-Tin-Tin on not just other comics but on Spanish science fiction.
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Episode 24: Amazing-Man Comics #5
In this episode I use the superhero Amazing Man, who debuted in Amazing-Man Comics #5 (cover date Sept 1939), to take a look at just what, exactly, constitutes a "typical" superhero of the late 1930s and early 1940s. I conclude that Amazing Man is actually the archetypal 1930s superhero and is both symbolically and semiotically important. I discuss the history of Centaur Comics, the debut of Amazing Man, his success, what happened to him after Centaur went out of business in 1942, who Amazing Man was, what he could do, who his archenemy was, the variety of 1930s elements which Amazing Man embodies, the various phases or periods of superhero comics before America entered WW2, and a lot data-based conclusions, accompanied by long lists of various things. (If you like data you'll love this episode).
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Episode #23: Colonialism in the Bandes Dessinées beginning with Alain Saint-Ogan's "Zig et Puce"
ln this episode I use Alain Saint-Ogan's bande dessinée "Zig et Puce" as a springboad for a discussion of colonialism in the French bandes dessinées. I start, of course, with the 1814 Treaty of Paris and the 1814-1814 Congress of Vienna and proceed from there through the two French Colonial Empires, the mission civilatrice, the possible/likely body count of the French imperial venture, the unpopularity of the French colonial venture with most French in the 1920s and how French thought-makers and opinion-shapers reacted to that unpopularity, the use of popular fiction (including bandes dessinées) as a bullhorn for colonialism and imperialism, the evil of the comic strip "Blanche et Noire," how colonialism and imperialism and racism manifested themselves in "Zig et Puce," the influence of Saint-Ogan and "Zig et Puce" on later creators of bandes dessinées, the colonialism and imperialism in the Tintin bandes dessinées, the colonialism and imperialism of the bandes dessinées after World War Two, the Algerian War and the tremendously appalling actions of the French in it, how the bandes dessinées reacted to Algerian independence, and how slow the French have been to examine the colonialism and imperialism in "Zig et Puce" and other treasured bandes dessinées. Among other things.
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Episode 22: Superman #1
In this episode I discuss the publication of Superman #1, the first comic book dedicated to the stories of one character. I talk about why this is significant, what DC Comics was probably thinking about when they published Superman #1, the issue's immediate success, why its contents are significant, how Superman #1 is the start of a major change in the portrayal of Superman, and alllll about the Jewishness of Superman, from Siegel & Shuster's immigrant parents to the antisemitic atmosphere in which Superman appeared to where Superman lands on the assimilation-vs-acculturation continuum to the various very Jewish elements of Golden Age Superman to which Jewish denomination Superman belongs to.
A leisurely walk through the history of comic books, one issue at a time. In each episode, I'll choose a single issue of a comic book (or comic book-like magazine) and talk about why the issue is important in the history of the medium, or particularly representative of a trend or a particular writer or artist's work, or is of significant aesthetic value. The first episode begins in the 1820s; the last episode, whenever that is, will be about a significant comic from the 2020s (or possibly the 2030s). I don't limit myself to American comics; I am going to discuss comics & comic book-like magazines from around the world.
Ireland