The London Theatre Review

Even though we are officially on a break, we couldn't resist gathering together some of our favourite people for a bonus episode to tide you over until the new season begins.

The incredible Giles Terera, who has starred in the UK premieres of Hamilton and Avenue Q among many other musicals, but is just as well known for his Shakespearean performances, talks about Clint Dyer's production of One Flew Over the Cuckoo's Nest which has just opened at the Old Vic.

Gwyneth Keyworth was one of our favourite guests from the last season, so we asked her back to answer our five questions as she continues to perform in the National Theatre production of Maxim Gorky's Summerfolk.

And Ryan Calais Cameron, the brilliant writer of For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy and Retrograde, tells us what it means to him to be appointed the first patron of Camden People's Theatre.

We will be back soon, but in the meantime you can keep up with our theatregoing thoughts on Instagram or watch us on YouTube @thelondontheatrereview.
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Emergency episode alert! After last night's 50th Olivier Awards - broadcast on the BBC for the first time in decades - the gang give their verdict on the winners, the losers, the dramas and the dresses. Hint: the bear swept the board... Hosted on Acast. See acast.com/privacy for more information.

It's a big week. The fifth season comes to an end with no Nick Clark - he's on holiday - but instead a Nick, a Nancy, a producer Tim AND two big starry shows to round things off: two of the most exciting young actors around, Noah Jupe and Sadie Sink, play Shakespeare's star crossed lovers in Robert Icke's take on Romeo and Juliet at the Harold Pinter theatre, and Aidan Turner and the peerless Lesley Manville revive Les Liaisons Dangereuses at the National Theatre under director Marianne Elliott.

Plus Nick Curtis talks to veteran stage and screen actor Henry Goodman about his return to Arthur Miller for a revival of The Price - as well as what it was like to actually work with Miller. And Eleanor Worthington-Cox answers five questions including one of the best (or maybe worst) onstage mishaps we've heard so far.

We'll be back soon for another season...in the meantime there may be some bonus content dropping into your feeds. And keep an eye on all the latest updates on Instagram and see what we look like on YouTube @thelondontheatrereview.
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Self Esteem aka Rebecca Lucy Taylor returns to the stage for the second time: after playing a singer on the verge of a breakdown when she took on the role of Sally Bowles in Cabaret in 2023, now she plays an alcoholic singer on the verge of a breakdown in David Hare's 1975 play Teeth 'n' Smiles - the gang give their verdict. They also review Kimberly Belflower's Tony-nominated hit US play John Proctor is the Villain currently at the Royal Court. Plus the delightful Gwyneth Keyworth chats to Nancy about starring in the National Theatre production of Summerfolk, which we all loved last week, and how when she grew up she originally wanted to be...a vampire. And stage legend Clive Rowe answers our five questions.

Follow us on Instagram and watch us on YouTube @thelondontheatrereview.
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This week Nancy and the Nicks head to Hampstead Theatre for Aaron Loeb’s ROI (Return on Investment), where cancer has potentially been cured, and there's lots of money to be made.

Plus the gang are at the National Theatre for Summerfolk, Maxim Gorky’s caustic portrait of the pre-revolution Russian middle classes, eating, drinking and complaining their way towards a fairly inevitable reckoning.

Theatre Royal Stratford East's artistic director Lisa Spirling talks to Nick Curtis about her debut season, which has already got off to a stunning start with the harrowing Here There Are Blueberries, and continues with Tarell Alvin McCraney's Choir Boy.

Plus, Beatrice Penny-Touré, currently starring as Christine in The Phantom of the Opera, answers our five questions.

Follow us, watch us, chat to us @thelondontheatrereview on Insta and YouTube.
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