Three Castles Burning

Marking the passing of one of the most significant commentators on the past and present of Dublin city, this episode draws from a different discussion with McDonald from the one that featured in an earlier edition of the show. Reflecting on his own career and friendships, McDonald was in fine flying form as we chatted in Henretta Street. This episode is dedicated to his memory.

Albert Pierrepoint was a household name in his own lifetime, even penning the best-selling memoir Executioner. A hangman who followed in the footsteps of his father and uncle, Dublin was an important part of his story, including both Kilmainham Gaol and Mountjoy prison. In the years of the War of Independence, more than one plan was devised by republicans to keep his uncle Tom from carrying out an execution. In this episode, we look not only at the Pierrepoint family, but the strange history of capital punishment in Ireland.

In the early nineteenth century, Madame Tussaud spent several years in Dublin. Her waxworks and relics of the French Revolution proved a big draw for crowds here, packing out a gallery on Exchequer Street and touring the country. She would even create works honouring the leading Irish politician of the day. Her time in Ireland would shape her later world famous museum, and decades later it acquired a particularly gruesome relic connected to a violent day in Dublin.

In Ulysses, the pub we know as J & M Cleary's appears as The Signal House. It seemed a good location to explore food in the time of James Joyce. Ann Marie Duffin's fantastic page Bia Duit has been exploring food history and folklore, and she joins me to talk all things food in 1904.  Ken and Gwen from the brilliant Assassination Custard - a beloved institution on Kevin Street - brought along their own unique contribution to proceedings, with food inspired by the time.
Support TCB at: www.patreon.com/threecastlesburning

At the recent Luke Kelly Festival, I was delighted to speak with Sabina Higgins (née Coyne) all about the Focus Theatre and Deirdre O'Connell. Bringing the Stanislavski acting system to Ireland in the 1960s, Deirdre transformed how young actors felt about the possibility of the theatre. The tiny Focus Theatre - with the support of Luke Kelly and others - had a massive impact on the theatre here, producing a generation of actors who would have real impact in the Irish arts. We talk about it, and Sabina's career more broadly, including the landmark television programme Insurrection (1966).