Death is a Photograph

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Chase and Sam are taking on the ultimate quest — a boomer Epic of Gilgamesh, Shahnameh, Middlemarch, or Buddenbrooks — if you will.
In honour of Michael Apted's decades-long Up series (1964-2026) coming to an end this autumn, DPP thought a mini series working its way through an English boomer's lifetime would be a great subject to entertain fans and listeners with for the next couple of months.
Tracing the lives of 14 English men and women (and one semi-Scot) born in 1957 over seven-year iterations, the Up series creates a strange kind of self-anthropological study of the UK's post-war era: from social democracy to Thatcherism to Blairism through the lens of individual lives.
First on the docket — 7 Up and 7 Plus Seven, the first two episodes in the set, bookending the start and end of Harold Wilson's liberalising Labour era — when Britain's class system was looking shaky in new ways.

After a year, your hosts are ready to wrap Gen X. Season One is at a close. What did we learn about the self-professedly forgotten generation? What has Banksy to do with the spirit of the age? And, most importantly we answer the question that started it all: how did the dirty girls end up in the K-Hive?

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DPP is back, baby — and this time for an encore. Chase and Sam thought they'd round out the season — find a 'capstone', if you will — for the last year. That pediment takes the form of Chris Smith's fly-on-the-wall documentary American Movie (1999).
What does it mean to aspire towards creative production as a provincial dreamer-cum-slacker? What was left of the American dream as the clock ticked over and a new millennium began?
Find out in today's episode.

Out of Office

Fear the coming of the trilby. Yes, that's right — today, in the last episode of our first season, we're looking at Gen X accelerating towards middle age and a crash encounter with those coming up behind them: millennials.
No one captured this dissonant first encounter better than Noah Baumbach in his 2014 feature While We're Young — a spiralling comedy of manners obsessed with subcultures, technology, filmmaking, ethics, and the process of ageing itself.
Were the millennials the horrific spawn of a shallow age? Solopistic, self-involved, far too comfortable with 'selling out?' Or were they a pioneering generation, with enough earnestness and purchasing power to transform cities, fashion, media and art — at least sometimes — for the better?
Find out in today's episode.