Intelligence Squared

AI models now advise on everything from war, crop output, and marriages. Algorithms determine whether we can get a loan, a job, an apartment, or an organ transplant.

Carissa Véliz, Associate Professor at the Institute for Ethics in AI at the University of Oxford, argues that today’s computer scientists play the same role as the oracles of the ancient world and the astrologers of the Middle Ages. And when we cede ground to these predictions, we lose control of our own lives.

In this episode, Véliz speaks to technology philosopher Tom Chatfield about how systems of prediction have long shaped human decisions - and how their influence is expanding in the age of data and AI.

Together they examine why more data does not always lead to better outcomes, and how predictive systems can become self-fulfilling, and argue for shifting focus from prediction to preparation — and for reclaiming human agency in a world increasingly guided by forecasts.

Carissa Véliz is Associate Professor at the Institute for Ethics in AI at the University of Oxford. She is the author of Prophecy: Prediction, Power and the Fight for the Future, from Ancient Oracles to AI.

Tom Chatfield is a technology philosopher, author and commentator on digital culture, technology and society.

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The town of Weimar looms large in German history. This ancient town nestled in the heart of the country was home to some of Europe's greatest thinkers, Goethe and Schiller, Liszt and Nietzsche among them. It gave its name to the ambitious Weimar Republic crafted in the aftermath of the First World War. But it was also where fascism took hold. Where Bauhaus architects first experimented with new ways of living, Buchenwald was dug out of a beech forest.

German-British historian Katya Hoyer has drawn on a wealth of new archival research to tell the story of Weimar through the lives of some of its citizens from the years 1919-1939. 

In this episode, she talks to historian Sophie Scott-Brown about some of these vividly drawn characters who, as the events of history swept them up, became witnesses, perpetrators, victims and bystanders. How did Germany, within a few years, turn from one of the most liberal democracies in the world to a genocidal dictatorship? What choices did individual Germans make that enabled this? And what lessons can we learn to avoid repeating their mistakes? 

Katja Hoyer is Visiting Research Fellow at King's College London and a Fellow of the Royal Historical Society. She is the author of Weimar: Life on the Edge of Catastrophe.

Dr Sophie Scott-Brown is Lecturer in Philosophy at the University of East Anglia

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Kae Tempest is widely regarded as one of Britain’s greatest wordsmiths. In a career of ferocious creativity, he has received multiple prizes and critical recognition across the many forms he works in.

Beginning as a lyricist and songwriter in his teens, Tempest threw himself fully into whichever discipline he could find work in; gigging as a poet, writing for the theatre or busking with his band. A decade later, this obsessive compulsion to push his writing as far and as hard as he could, secured him a record deal with UK independent label Big Dada and a poetry publishing contract with Picador.

Tempest’s work has always sought to pull the focus between the global or national concerns of a character, and the private, very intimate experiences of their lives; the minuscule and the mundane peering out from behind the incomprehensibly large and overpowering. Whether it’s austerity, addiction, communal disassociation, the planet in crises, or the death of our prevailing myths, the bigger picture is always made up of tiny parts.

We were joined by Tempest live on stage at St George's, Bristol as he discussed his much anticipated return to fiction. His first novel in a decade, Having Spent Life Seeking is the story of Rothko Taylor, who returns to their hometown of Edgecliff, seeking a place to belong after fifteen years in the wilderness. It weaves together themes that have shaped Tempest’s work to date: family and forgiveness; redemption and atonement; desire and abandon; selfhood and community. Themes that are dealt with in this new novel, with a deeper resolve and a new clarity of intent.

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Kae Tempest is widely regarded as one of Britain’s greatest wordsmiths. In a career of ferocious creativity, he has received multiple prizes and critical recognition across the many forms he works in.

Beginning as a lyricist and songwriter in his teens, Tempest threw himself fully into whichever discipline he could find work in; gigging as a poet, writing for the theatre or busking with his band. A decade later, this obsessive compulsion to push his writing as far and as hard as he could, secured him a record deal with UK independent label Big Dada and a poetry publishing contract with Picador.

Tempest’s work has always sought to pull the focus between the global or national concerns of a character, and the private, very intimate experiences of their lives; the minuscule and the mundane peering out from behind the incomprehensibly large and overpowering. Whether it’s austerity, addiction, communal disassociation, the planet in crises, or the death of our prevailing myths, the bigger picture is always made up of tiny parts.

We were joined by Tempest live on stage at St George's, Bristol as he discussed his much anticipated return to fiction. His first novel in a decade, Having Spent Life Seeking is the story of Rothko Taylor, who returns to their hometown of Edgecliff, seeking a place to belong after fifteen years in the wilderness. It weaves together themes that have shaped Tempest’s work to date: family and forgiveness; redemption and atonement; desire and abandon; selfhood and community. Themes that are dealt with in this new novel, with a deeper resolve and a new clarity of intent.

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This is the first instalment of a two-part episode. If you'd like to become a Member and get access to all our full ad free conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more.

For £4.99 per month you'll also receive:

- Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts

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How close are we to a new global conflict?

In this episode, journalist Hannah Lucinda Smith speaks with global defence commentator Peter Apps about his new book The Next World War: The New Age of Global Conflict and the Fight to Stop It. From Ukraine to Taiwan, and from cyber warfare to space, Apps argues that the foundations of a new kind of global conflict are already in place.

Drawing on reporting from the corridors of power in Washington, London, Moscow and Beijing, as well as frontline perspectives, Apps maps the fault lines shaping today’s geopolitical landscape. He explores the return of great power rivalry, the rise of ‘hybrid’ warfare, and the growing role of technology in reshaping how conflicts are fought.

At its centre is a stark question: are these tensions containable, or are they leading towards a wider and more dangerous confrontation? Apps sets out how governments, militaries and societies are preparing for the possibility of large-scale conflict — and what might still be done to prevent escalation.

Peter Apps is a global defence commentator at Reuters. He is the author of The Next World War: The New Age of Global Conflict and the Fight to Stop It. His podcast, Battle for the Next World War, will release soon. 

Hannah Lucinda Smith is a journalist and foreign correspondent reporting on global politics and conflict.
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