The Film Majors

The Film Majors delve into couples counseling for their first ever installment of Women's Wrongs Month! Alexis is back, along with returning guests and actual married couple Joey Carlson and Zoë Hughes, to kick off a discussion of Zack's viewing experience of If I Had Legs I'd Kick You, Zoë's betrayal of Joey's trust, and David Fincher's blockbuster relationship thriller Gone Girl.

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The revolution comes to a tragic conclusion as Mick and Alexis bend the knee to fascism and skip the final episode of Fuck Fascism February. Zack is joined by The Toss Up Host and true radical Simon Luedtke in an inspiring discussion of the Oscar nominated live action shorts, Zack's first time viewing of the American Masterpiece Bring It On, and Gillo Pontecorvo's cinematic battle cry The Battle of Algiers!

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The investigation into which Film Majors are truly anti-fascist continues as Mick skips the latest discussion of resisting tyranny to go on vacation in New Zealand. Zack and Alexis are joined by Film Majors Heel and defender of the Free Press Chris Francis for a discussion of the new indie horror sensation Iron Lung, Emerald Fennell's controversial Bronte adaptation Wuthering Heights, and Alan Pakula's iconic Watergate procedural All the President's Men.

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With Alexis still on leave, Zack and Mick are joined by previous guest Mason Bissada to take on the foot soldiers of a of a Jew-hatin', mass murderin' maniac that need to be dee-stroyed. The guerilla filmmaking resistance launches an all out conversational assault on Mason's first time watch of Home Alone, their predictions and thoughts on the upcoming Academy Awards, and frequent guest Quentin Tarantino's WWII masterpiece Inglourious Basterds.

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If it ain't one thing, it's another that prevents Alexis from being on the first episode of F*ck Fascism February. Film Majors fourth chair Drew Paterson joins Zack and Mick in a discussion of Sam Raimi's new survival horror star vehicle Send Help, the similarities between Colonel Lockjaw and certain thugs of the current administration, and Paul Thomas Anderson's prescient action thriller One Battle After Another.

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