The Film Majors

Supercali-voyeuristic-expialidocious September gets super horny as Alexis returns to the pod and Zack tragically astral projects into the heavens! His ghost watches Mick and Alexis discuss the latest and greatest of South Korean cinema with Na Hong-jin’s sci-fi action extravaganza Hope, as well as Yeon Sang-ho’s return to the Train to Busan world with Colony, and the deeply erotic, neon-soaked underworld of Gaspar Noé’s psychedelic-melodrama Enter the Void!

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Peep through your blinds at the first ever episode of The Film Majors where Zack and Mick go at it solo! Supercali-voyeuristic-expialidocious September continues as the fellas talk the delightful new release Coyote vs. Acme, the first annual Kirkaversary, and Alfred Hitchcock's seminal depiction of freaks who like to watch, Rear Window!

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The Film Majors have the creeping feeling that someone is watching them as they embark on a new month: Supercali-voyeuristic-expialidocious September or Voyeurism Month! Zack and Mick lose sight of Alexis but are joined by Sloan Golden for a discussion of Mick's poor film viewing performance, Matt Johnson's Bourdain biopic Tony, and Peter Weir's prescient paranoid thriller The Truman Show.

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The Film Majors go back to the cluuuub and close out Bummer Summer with a real tear jerker, in more ways than one. Mick and Alexis discuss the recent losses of cultural icons Dolly Parton and Tim Curry, as well as Mick’s accolades for the technicolor masterpiece The Red Shoes, and, of course, Wayne Wang’s sorrowful multigenerational family drama The Joy Luck Club.

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God forsakes The Film Majors just in time for their 200th episode of the podcast! Bummer Summer slogs along as Zack, Mick, and Alexis reflect on the last 199 episodes of films, friendship, and frivolity, discuss the new dinosaur blockbuster The End of Oak Street, and finally dig into a film from cinema titan Martin Scorsese: his treatise on faith, doubt, and the fallibility of man The Last Temptation of Christ.

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