Call To Stage with Amber Davies

We're joined by a true legend of the British stage on this episode of Call To Stage - the endlessly charming, irrepressible, genre-defining Michael Ball.
With over four decades in the industry, two Olivier Awards for Best Actor in a Musical, two BRIT Awards and GRAMMY nomination - Michael is undoubtedly one of the biggest stars in the industry. Having made his West End debut originating the role of Marius in Les Mise´rables (a show he has returned to multiple times in his career), he has gone on to define such iconic roles as Edna Turnblad in the West End production of Hairspray, Sweeney Todd in the revival of Sweeney Todd and Alex in Aspects of Love (which led to him charting in the Top 5 UK Singles Charts).
Michael has also had renowned starring roles in The Phantom of the Opera and Chitty Chitty Bang Bang, released numerous albums and has sold out every venue from the Royal Albert Hall to Radio City in New York.
Michael Ball's new album Glow is out on May 22nd. You can order it here: https://michaelball.tmstor.es/
On this episode of Call To Stage, Amber and Michael talk about the advice that has underpinned his four decade career, his experiences performing in front of royalty, why he keeps returning to Les Mise´rables and how he asked Imelda Staunton to star in Sweeney Todd alongside him...
There are also stories from Hairspray and Aspects of Love as well as a masterclass in nerves, superstition and what it means to savour the rare perfect moments.

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We're joined by a true icon of British musical theatre on this episode of Call To Stage... the extraordinary Kerry Ellis is on the show!
Kerry Ellis is undoubtedly one of the most storied and gifted performers in British theatre. Having made her professional debut in the West End production of My Fair Lady, she has gone on to play among the most iconic roles in the West End - including Nancy in Oliver!, Grizabella in Cats, Fantine in Les Miserables, Meat in We Will Rock You... and, of course, Elphaba in Wicked, where she was the first British Elphaba in the West End (taking over the role from Idina Menzel), a role she then reprised on Broadway.
Kerry is currently on the road with the Gravity Tour alongside Louise Dearman and Rachel Tucker, a celebration of their decades-long friendship and shared history with Wicked — with a solo UK tour, Rock Anthems, also on the horizon.
On this episode of Call To Stage, Amber and Kerry share stories from many of Kerry's most iconic roles - including Wicked, the Miss Saigon tour, We Will Rock You... and how Kerry's recent experience in 101 Dalmatians ended up with a very large surprise!
They also talk about the sheer audacity of going on as Eliza Doolittle at the National Theatre with no rehearsals, how Brian May changed the course of her career, as well as a deeply honest conversation about vocal fatigue, guilt, the Elphaba community looking out for one another.

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We're joined by the effortlessly cool and funny Jamie Chatterton on this episode of Call To Stage!
This episode was recorded in between shows in Liverpool in Amber's dressing room!
Having trained at ArtsEd, Jamie has since gone on to star in The Sound of Music (Curve), as well as originating the roles of Tom Fraser in the critically acclaimed West End production of The Little Big Things and Alan Osmond in the world premiere National Tour of The Osmonds.
On this episode of Call To Stage, Amber and Jamie talk about the journey of going from training to West End stages, the emotional weight and life-changing impact of originating a role in Little Big Things and why touring keeps a show fresh in ways that a long West End run simply can't replicate.
There are also stories from The Osmonds, Sound of Music and Legally Blonde - including Jamie's audition process, being a six-foot-two nun floating across the stage, and the unexpected way love has a habit of finding you when you least expect it.

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It's Legally Blonde tour bestie time on this episode of Call To Stage, as Amber is joined by the hugely talented and gloriously fun Rosanna Harris.
This episode was recorded in between shows in Glasgow in Amber's dressing room!
Rosanna is currently playing Serena and serving as second cover Elle on the UK Tour of Legally Blonde, having carved out an impressive career that includes the UK and International Tours of Grease and Jeff Wayne’s The War of the Worlds arena tour.
On this episode of Call To Stage, Amber and Rosanna talk about Rosanna's winding audition process for Legally Blonde — including a last-minute self-tape, a dramatic email to her agent, and asking to restart mid-audition — as well as what it really feels like to be living out your dream role every night.
There are also behind-the-scenes moments from life on the Legally Blonde tour, the realities of managing your voice and energy across a big leading role, and the unexpected joy of finding your person on the road.
Rosanna also shares her dream roles, the musical that first made her fall in love with theatre and why Miss Congeniality absolutely needs to be a musical — trademarked, right here, right now.

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On this episode of Call To Stage, we're joined by the wonderfully warm, funny and refreshingly grounded Ben Irish.
Ben has become one of the West End's most reliable and versatile leading men. A self-confessed late starter — discovered through a work experience placement at an amateur theatre group in Portsmouth at the age of 15 — he trained at ArtsEd and has since built an impressive career across some of musical theatre's most beloved shows.
His credits include Bob Gaudio in Jersey Boys, Joe in 9 to 5 The Musical, Sky in Mamma Mia!, Sam in Ghost (which he also toured across Asia) and Hans in Frozen The Musical, which was filmed for Disney+.
On this episode of Call To Stage, Amber and Ben talk about coming to musical theatre late and why there is truly no right time or right way into this industry, the family feeling that comes with long runs and touring companies, and the very real emotional and practical challenges of life between jobs.
There are also stories from Jersey Boys, Mamma Mia! and Ghost, as well as conversations about setting boundaries, protecting your personal life and knowing when to say no — even when the jobs are good.

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