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Talkhouse Podcast

Talkhouse
Talkhouse Podcast
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  • Matt Berninger (The National) with Alan Sparhawk (Low)
    This week's Talkhouse Podcast is kind of a dream episode for me, because I managed to wrangle two of my favorite songwriter/performer/lyricists ever into a conversation, Matt Berninger and Alan Sparhawk. Sparhawk first came to my attention way back in the early ‘90s with his band Low. Over the course of 30-ish years, he and his wife, Mimi Parker, created an almost indescribably stunning body of work. The early days were characterized by slow, spare, minimalist songs, but over the decades, Low blossomed in a hundred beautiful ways, from stark, almost confrontational music made with Steve Albini to some of the sweetest pop songs you’ll ever hear to their final incarnation, in which they organically integrated some harsh electronics. It’s hard to believe they went so long and stayed so true, but they did. It’s a pretty perfect catalog. Then, in 2022, Parker died of cancer. Sparhawk worked through some of his grief by pushing right back into music, first with 2024’s White Roses, My God, a dense, electronics-heavy album that sounds like confusion itself. Now, just months later, he’s set to release another album, this one called With Trampled By Turtles. The title references the Duluth band that backed him on it, and the songs themselves offer a much more clear-eyed, straightforward look at where his head is at. They’re very different but both really powerful. Check out the song “Not Broken,” which features Sparhawk and Parker’s daughter Hollis on vocals. I think Matt Berninger, the other half of today’s conversation, feels as strongly about Low and Alan’s music as I do: He’s been listening since before his band, The National, had even come together. Perhaps you’re aware of their history, but just in case: The National has been making incredible records since 2001, finding pretty huge success with cathartic, arena-sized songs that are still always grounded by Berninger’s intentional, literate words. Just as with Low, it’s impossible for me to pick a favorite record, but today it’s Alligator, from 2005. But Berninger, like Sparhawk, has had plenty of side projects over the years, and his second proper solo album is coming out this week as well. It’s called Get Sunk, and it feels like a sort of deliberate step away from any semblance of gloom, with Berninger writing about childhood summers and more innocent times. Don’t get me wrong, these songs aren’t without their emotional perils, but they do feel different enough from his main gig that you’ll notice. Oh, and in case I didn’t mention it, it’s really great. Check out “Bonnet of Pins” from Get Sunk right here. Sparhawk and Berninger don’t waste much time with idle chit-chat in this episode. They’ve both been through the mental-health wringer over the years, and they explore those low-lows with the benefit, thankfully, of some hindsight. Matt has some really insightful things to say about Alan’s recent solo records, and they dive into their religious backgrounds with perhaps the funniest, potentially deadliest interview question ever asked on Talkhouse: “What are your thoughts on God and religion? Go.” Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Alan Sparhawk and Matt Berninger for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan and the Talkhouse theme is composed and performed by the Range. See you next time! Find more illuminating podcasts on the ⁠⁠Talkhouse Podcast Network⁠⁠. Visit ⁠⁠talkhouse.com⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠Instagram⁠⁠, ⁠⁠Bluesky⁠⁠, ⁠⁠Twitter (X)⁠⁠, ⁠⁠Threads⁠⁠, and ⁠⁠Facebook⁠⁠.
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  • Podcast Preview: SubwayTakes Uncut with Michael Shannon
    "People are real down on the subway lately but I still like taking it!!" Kareem and Michael continue on the train and talk about Michael's directorial debut, Eric Larue, directing as a way of developing every character in a movie, Kareem and Michael's future buddy comedy where they open an indie Target (and also their buddy drama where they're roommates), male best friend breakup stories as a new genre, Michael's love of R.E.M., doing a cover band, being a loafer, having a fake Chicago accent, Windsor Terrace, how being from the midwest makes you endearing, GoFundMe to pay for a star on Hollywood's Walk of Fame, not being invited to the Oscars, there are too many screens on the subway, Michael's colonoscopy and other stuff. Host: Kareem Rahma Creators: Kareem Rahma and Andrew Kuo Camera: Maksim Axelrod and Tian Sippel Editor: Tyler Christie Mixer: Dale Eisinger Associate Producer: Ramy Shafi Artwork: Andrew Lawandus Theme Music: Tyler McCauley Subscribe to SubwayTakes. Watch this episode on YouTube or Spotify. Find more illuminating podcasts on the ⁠Talkhouse Podcast Network⁠. Visit ⁠talkhouse.com⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠Instagram⁠, ⁠Bluesky⁠, ⁠Twitter (X)⁠, ⁠Threads⁠, and ⁠Facebook⁠.
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  • Nobody’s Ever Asked Me That: Lili Taylor
    On the latest episode of the Talkhouse Podcast’s spin-off series, host Nick Dawson sits down with iconic actress Lili Taylor, who just published her first book, Turning to Birds, a series of thoughtful, beautifully written and deeply human essays about her consuming passion for birdwatching. In an engrossing conversation, the two discuss how recovery and birding intersect, her love of naps, how nature has shifted her relationship to death, Nick getting barked at by a coyote in the Bronx, braving the acting version of the bends after finishing a role, her amazing way of releasing resentment, facing the unknown, how she’s finding resilience and playing the long game as this country plunges into crisis, and much more. For more filmmakers talking film and TV, visit Talkhouse at talkhouse.com/film. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast.
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  • Chris Carrabba (Dashboard Confessional) with Evan Weiss (Pet Symmetry, Into It. Over It.)
    On this week's Talkhouse Podcast we’ve got two old friends who’ve contributed more than their fair share to the emo world and beyond and lived to tell the tale: Evan Weiss and Chris Carrabba. Carrabba is of course the main creative force behind Dashboard Confessional, whose early albums—specifically The Swiss Army Romance and The Places You Have Come to Fear the Most—basically invented the genre’s confessional acoustic-based era. He could’ve made those records a dozen times over the past 20 years, but instead Carrabba filled out Dashboard’s sound over the years, stretching out where the muse took him. Now an elder statesman, Carrabba returned to that simpler sound but brought years of wisdom with him for 2022’s All the Truth That I Can Tell, which he talks about in this great chat. Dashboard will head out on a long summer tour with Goo Goo Dolls starting July 13, but not before playing a show with Weiss’s band in Vegas the day before. Weiss’s band would be Pet Symmetry, a trio he’s been part of for the past decade or so, and which just released an excellent new album: Big Symmetry is a big, loveable, tuneful set of songs that all start with the word “big.” It’s a joyful blast of pop-punk that feels like a deliberate antidote to tough times. It may also be a bit of a reaction to what fans would consider Weiss’s main band, Into It. Over It., which flies that emo flag a bit higher. But whatever, those tags are pretty silly when we ought to be talking about songs. Speaking of, check out the song “Big Wish” from the album Big Symmetry right here. In this wide-ranging chat, Carrabba and Weiss talk about the holiness of punk community, the accidental origins of Dashboard Confessional plus that band’s long hiatus and rebirth, and how the financial collapse of 2008 had opposite effects on their careers. It’s true! Enjoy. 0:00 – Intro 2:21 – Start of the chat 4:45 – On psychedelics 6:34 – Best venue to play a gig (and watch a gig) 13:27 – Were you ever over your head with Dashboard Confessional? 19:00 – Three pieces of advice for younger bands 25:50 – How has Dashboard Confessional evolved? 34:30 – The '08-'09 music era 39:59 – Does increased music access lower fan excitement? 41:25 – One more piece of advice: Take control 46:33 – One more (last) piece of advice: Honor the people who helped you 50:20 – Carrabba on his superpower Thanks for listening to the Talkhouse Podcast, and thanks to Chris Carrabba and Evan Weiss for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the other great podcasts in our network. This episode was produced by Myron Kaplan, and the Talkhouse theme was composed and performed by the Range. See you next time! Find more illuminating podcasts on the ⁠Talkhouse Podcast Network⁠. Visit ⁠talkhouse.com⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠Instagram⁠, ⁠Bluesky⁠, ⁠Twitter (X)⁠, ⁠Threads⁠, and ⁠Facebook⁠.
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  • Nobody’s Ever Asked Me That: Michel Gondry
    On the latest episode of this new Talkhouse Podcast spin-off series, host Nick Dawson sits down with visionary writer-director Michel Gondry, whose delightful new film, Maya, Give Me a Title – a hand-drawn 60-minute feature he originally made just for his young daughter – is currently on the festival circuit. In a wide-ranging conversation, the two talk about childhood, him learning a sense of play from cats, the pivotal moment when he decided to work only on his own terms, taking David Lynch’s advice for his 2015 movie Microbe and Gasoline, watching that same movie alone a plane, why people’s fixation on the Bermuda Triangle is nonsense, and much more. For more filmmakers talking film and TV, visit Talkhouse at talkhouse.com/film. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. Find more illuminating podcasts on the Talkhouse Podcast Network. Visit talkhouse.com to read essays, reviews, and more. Follow @talkhouse on Instagram, Bluesky, Twitter (X), Threads, and Facebook.
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Your favorite musicians, filmmakers, and other creative minds one-on-one. No moderator, no script, no typical questions. The Talkhouse Podcast offers unique insights into creative work from all genres and generations. Explore more illuminating shows on the Talkhouse Podcast Network.
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