The Art Coaching Club Podcast

A year ago, Lucy Camp was painting before work and on weekends, quietly wondering if a full-time creative career was even an option. Now she’s full-time, fresh off her first in-person show, and prepping for a solo show with Ann Irwin Gallery this December. In this episode, Lucy walks us through what finally made her take the leap: a strong gut instinct, a viral trial reel that hit a million views, and a friend's simple question, “You know you can just be an artist, right?”

We talk about her sustainable Instagram approach for artists, including posting short Reels of final touches every morning, and why trial reels can be so hit or miss. Lucy shares how she found her unique artistic style by following the thread from high school mark-making to oil sticks, line drawings, and joyful, colorful tablescapes. She also discusses the practical side of managing a creative business: cleaning up your Instagram, overcoming the fear of shipping large paintings, and the psychology of setting art prices like a professional (and why starting too low is a hard hole to dig out of). Lucy also reveals the very real storage problem that comes with slow-drying materials like oil sticks.

Plus, hear what Lucy learned from standing in her booth at the Loyola Art Show, meeting her ideal clients, and hearing collectors describe her work as "joyful" and "hopeful." If you’ve ever felt like you need to research something to death before you’re allowed to start, this one’s for you. Give yourself the room to grow, and you’ll grow into it.
https://www.lucycampart.com/ https://www.instagram.com/lucycamp.art/
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Katie Brown returns to the podcast, sharing how much has changed since our last chat! She opens up about the whirlwind of the past two years: welcoming her second child, Sadie, building a dream studio over her detached garage, and a major pivot in her creative path. Katie details the intense experience of working with five prominent art galleries simultaneously, including Well + Wonder, Campbell Collective, Shane and Greg Irby, and Gallery Orange. She candidly discusses the overwhelming pressure, battling postpartum anxiety and depression, and the realization that she was burning out trying to meet demands while raising two young children.
This episode delves into Katie's brave decision to step away from most of her gallery representation to focus on selling her creations directly and building her own audience. She recounts the pivotal moment when her first independent release sold out in just 20 minutes, confirming her path to self-representation. Katie also shares her personal journey with anxiety and how seeking medication was a game-changer, allowing her to regain control and clarity in her life and work.
We explore the pros and cons of working with art galleries versus self-representation, and why it's crucial for any artist to understand their own goals and seasons of life. Katie emphasizes the importance of creating 'margin' for creativity and avoiding the 'hamster wheel' of constant production. She reflects on how these early partnerships legitimized her work and pricing, but how her current focus is on developing her own brand, including future plans for textiles and wall coverings. This is a must-listen for any creative entrepreneur navigating growth, burnout, and the evolving landscape of their business. Follow the show and leave a review if this helped.
See her work: https://katiebrownart.com/
Follow along: https://www.instagram.com/katiebrown_art

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Caroline and Bex have been best friends since before they were born, literally, their moms knew each other first. So when Caroline fell in love with mahjong two and a half years ago and Bex was working as a fashion illustrator in New York doing live events for brands like Jimmy Choo and Vogue, the idea for The Gilded Shuffle wasn't some calculated market gap they spotted. It was a coffee morning, a mahjong lesson, and Caroline saying out loud that she wished more artists were designing tiles.
On this episode we get into how they turned that into an actual product line: Bex's design process for translating her flower girls and dove motifs onto a functional mahjong set without losing the rules of the game, why they spent real money on branding before they had a product to sell, and what it took to find a manufacturing partner who wouldn't cut corners on something meant to feel like an heirloom. We also talk about the unglamorous parts, tariffs, supplier communication at 2am, decision paralysis when the creative options are genuinely endless, and why working with your best friend might be the opposite of the advice everyone gives you.
If you've ever wondered what it actually takes to go from "wouldn't this be cool" to a launched, beautifully branded product, this one's for you.
Find Caroline and The Gilded Shuffle at @thegildedshuffle and thegildedshuffle.com
Find Bex at @xobexstudio
New episodes of The Art Coaching Club podcast drop every week. If this one resonated, follow along and leave a review, it helps more artists find their way here.

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Elizabeth Rees started Chasing Paper because she wanted a wallpaper company that worked for her. In this episode we talk about how she built that into a real business, and about the part of her model that makes her a genuinely interesting guest for this audience, she doesn't just sell wallpaper, she licenses other people's art onto it.
We get into what that partnership actually looks like from both sides, using her collaborations with Liz Lidgett and Meredith Kinney as real examples. We discuss growing a business, challenges that come with that, lessons learned along the way and so much more.
Find Elizabeth and Chasing Paper @chasing paper and chasingpaper.com

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* I️ misspoke when announcing the Club - spots are open from September 16th - the 24th!
Jennifer M. Walker is a St. Louis-based painter who's been selling her work for three and a half years, and in the last year has found real traction with botanicals, even though her heart still wanders toward abstract work and patterned framing. In this conversation, she walks through the actual trajectory of her career: painting quietly at home after leaving a corporate job, a studio that came with the house she and her husband bought, a two-year adoption journey that turned painting into an emotional outlet, and the local shop visit on a family walk that eventually led to her best sales weekend ever at a Round Top-style show.
We get into the stepping-stone nature of an art career, how relationships and "wasted" opportunities compound over time, and why Jennifer believes none of her past jobs or slow seasons were ever really wasted. She's candid about using ChatGPT to place her work in styled rooms for Instagram, despite her instinct to resist AI as someone who loves physical books, handmade work, and supporting other makers, and why she's landed on it as a tool that solves a real problem rather than something that cheapens what she does.
We also dig into her marketing engine: how she built an Instagram strategy around recurring content pillars (she compares it to a newspaper column), why she posts the same piece of art multiple times without guilt, and how a simple DM conversation starter turns into a commission. Jennifer talks honestly about the harder parts too: juggling four young kids with a growing business, the years it took to stop feeling like an imposter calling herself an artist, and how she sets financial and creative goals she can hold loosely.
She closes with what's ahead: new releases through the Scouted Studio this fall, a collaboration with Serena & Lily launching in September, and a show with Mended at Round Top in October.
Find Jennifer on Instagram at @jennifermwalkerart and at jennifermwalkerart.com and check out her new collection on thescoutedstudio.com.

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