Film Photography Podcast

Film Photography Project - Episode 370 – March 1, 2026 - 
It’s the top of the month, and the Film Photography Project gang is back to talk movie film! Michael Raso is joined by Owen McCafferty, Mat Marrash, and Leslie Lazenby to explore smart storage for developed film, how to correctly match your C-mount and D-mount lenses, plus listener letters and more.

Mark Dalzell unpacks the story behind 220 medium format film and explains how it differs from 120 and why it mattered. Also, the guys continue their journey into the tiny world of 17.5mm Hit-Type cameras with a review of the Mycro 17.5mm camera, plus listener letters and more.

Leslie Lazenby | The Language of Film Photography / Controversy & Censorship in Photography

In Episode 368 of the Film Photography Podcast, Leslie Lazenby provides context for and leads a conversation on “tricky film terms” and the importance of accurate vocabulary when picking up new formats, trying lenses, development (and overall improving your photography). Then, we move into a timely discussion on controversy and censorship in photography, and where art ends and obscenity begins. Rounding out the show is a brand-new music video for an original composition by long-time FPP music contributor Darren Riley.

Support the Podcast - https://filmphotographyproject.com/donate/

Film Photography Podcast
Episode 367 - February 10, 2026 /
Michael Raso is joined by Mat Marrash for a hands-on discussion about several new motion picture film stocks. The episode dives into black-and-white and color offerings across multiple formats, with practical insight into how these films behave, where they shine, and who they’re best suited for.

Batch it on YouTube - https://youtu.be/1KZiWuTN2kU?si=9FXWtM4SvMYhsdUF

The conversation covers Svema r32 BW 16mm, Ferrania P30 BW in both 8mm and 16mm, Super 8 Wolfen 200D Color, and FPP Color Test Film 16mm. Michael and Mat share real-world observations, creative considerations, and thoughts on why these films matter to experimental shooters, filmmakers, and analog enthusiasts alike.

The movie guys - Michael Raso, Owen McCafferty, and Mat Marrash - tackle one of the most persistent questions in motion-picture film: what can be done with Kodachrome color film in 2026 and beyond? Once thought completely un-developable after the loss of the K-14 process, the team explores the realistic options that still exist today, from experimental chemistry to creative workarounds and alternative processes.

Along the way, the conversation drifts into listener letters, shared experiences, and the passion that keeps small-gauge film alive. It’s a thoughtful and sometimes nostalgic discussion that blends technical insight with the community-driven spirit of the Film Photography Podcast.