All About Art

How Curators & Artists Are Supported In The Digital Age, with Evelina Gorbačova, Head of Digital Development at FOLLOW.ART

FOLLOW.ART is a platform working to reshape how artists and curators connect in the digital age - You should listen in if you are interested in working at the intersection of art and technology, working at a startup compared to more traditional roles in either tech or the art world, or you are an artist and/or curator wanting to find digital career support online. 

We talk about the exclusions that curators and artists face in existing digital ecosystems - how they're often left out or underserved by platforms that weren't built with their needs in mind - and how FOLLOW.ART is trying to address those gaps. I ask her about the Nexus Card, a digital identity format that the team describes as "the heart of FOLLOW.ART," and why they chose to build this rather than just another social media profile or portfolio site. We discuss the technical challenges of combining physical art world interactions with digital infrastructure, how the team thinks about balancing accessibility with building a sustainable business, and so much more.

Thank you Evelīna for coming on the podcast and FOLLOW.ART for the partnership!

You can follow FOLLOW.ART on Instagram here: https://www.instagram.com/followart.world/

You can check out FOLLOW.ART’s website here: https://follow.art/

ℹ️ #paidpartnership with Follow.Art

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If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠

Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ 

ABOUT THE HOST:
I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.

SOCIALS: 
Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinacker

and LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/

This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ 

COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/

Research and Creative Assistant: Iris Epstein

The Great Art Fraud: Performance, Pretty Privilege & an $86 Million Scandal

This week’s episode of All About Art dives into one of the biggest recent scandals in contemporary art. It’s based on my recent experience watching the BBC’s The Great Art Fraud, which chronicles Inigo Philbrick’s spectacular $86 million fraud that shook the art world to its core.

I discuss a range of factors that led to this happening, from the halo effect and “pretty privilege” to the culture of opacity that still defines high-value art deals. I explore how Philbrick sold a lifestyle as much as he sold art - and how the BBC’s documentary, perhaps unintentionally, keeps that performance of glamor alive.

We discuss the gaps in regulation, the role of symbolic capital in luxury markets, and why the documentary’s hero’s journey framing (I explain why I think its framed like this) feels kind of uncomfortably forgiving. Will the art world forget this scandal and engage in art deals with Philbrick in the future? It sure did feel like it towards the end…

If you’ve watched the series or are fascinated by the intersection of psychology, performance, and market failure, I would love for you to have a listen & leave a comment to share your thoughts!

Image & Media Credits
Jay Jopling photograph: Oli Scarff / Getty Images, via Artnet News

Kenny Schachter image: Courtesy of Sotheby’s

Inigo Philbrick image: Getty Images, via The New York Times

The Great Art Fraud promotional artwork: BBC

Additional images (if applicable): Courtesy KennySchachter.art

Image & Source Credits
This episode includes images sourced from Getty Images, Sotheby’s, The New York Times, the BBC, and KennySchachter.art. Images are presented solely for purposes of criticism, commentary, news reporting, and education. All copyrighted material remains the property of its respective rights holders. No copyright infringement is intended. Images are displayed at reduced resolution and only for the duration necessary to support commentary.

📌 REFERENCE LINKS
Artnet News piece on White Cube & Jay Jopling — Artnet News article. Artnet News: White Cube Paris gallery news and Jay Jopling image source

Sotheby’s Sotheby's Brightspot profile on Kenny Schachter — Sotheby’s webpage. Sotheby’s: The Hoarder III: A Moment With Kenny Schachter

The Art Newspaper coverage of Inigo Philbrick’s fraud case (image & article) — Art Newspaper story including imagery. The Art Newspaper: Philbrick fraud case image & story

Guardian article on Inigo Philbrick (Christie’s invoice referenced) — The Guardian coverage of Philbrick’s art world swindle. The Guardian: Inigo Philbrick art world swindle and Christie’s reference

IMDb listing for The Great Art Fraud — BBC documentary info and promotional assets. https://www.imdb.com/de/title/tt38048757/ 

YOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: ⁠https://www.patreon.com/allaboutart⁠

FOLLOW ALL ABOUT ART ON INSTAGRAM HERE: ⁠https://www.instagram.com/allaboutartpodcast/⁠ 

ABOUT THE HOST:
I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.
Here are links to my social media, feel free to reach out:
Instagram⁠ @alexandrasteinacker   ⁠

and LinkedIn at ⁠Alexandra Steinacker-Clark⁠

This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ 
COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠www.liser-art.com⁠ and Luca Laurence www.lucalaurence.com 
Research and Creative Assistant: Iris Epstein

The Mind Control of Mount Making with Alex Abbott, Director of Dauphin

In this episode, I sat down with Alex Abbott, Art Consultant and Director of Dauphin, a company that specializes in displays and mounts.

I speak to Alex about what his company does - which a lot of you have certainly come into contact with but not been fully aware of. Alex does the unseen work of ensuring the objects we view and love in museums, galleries, and homes are mounted with safety and care. That ancient jug you saw last week at the Museum of Natural History? That was mounted and tilted at a 40 degree angle by Alex and his team, but his main objectives are not to impress the viewer with his skills of mounting a work of art or history - his objective is that his work remains as invisible as possible while keeping whatever it is he is working with, safe. 

I speak to Alex about the artworks he has worked with in the past, including Barbara Heptworth sculptures and suits of armor. I ask him what sort of things need to be considered when consulting on how works of art or objects should be displayed, and also what its like to be director of a company at quite a young age - he took the helm of Dauphin at just 25 years old. We talk about the psychology of displays, the unseen work of mount makers in the arts, so much more.
 
Thank you Alex for coming on the podcast!

You can follow Dauphin on Instagram here: https://www.instagram.com/dauphinacrylic/
You can check out Dauphin here: https://www.dauphin.co.uk/

YOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: ⁠https://www.patreon.com/allaboutart⁠
FOLLOW ALL ABOUT ART ON INSTAGRAM HERE: ⁠https://www.instagram.com/allaboutartpodcast/⁠ 

ABOUT THE HOST:
I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.
Here are links to my social media, feel free to reach out:
Instagram⁠ @alexandrasteinacker   ⁠

Twitter ⁠@alex_steinacker⁠

and LinkedIn at ⁠Alexandra Steinacker-Clark⁠

This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ 

COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠www.liser-art.com⁠ and Luca Laurence www.lucalaurence.com

Research and Creative Assistant: Iris Epstein

My forthcoming book Working in Art has officially beeen announced as available for pre-order, with publication coming in April 2026.

So, on this week’s episode of All About Art, I walk you through what went into creating this book - the travel to 9 cities across 5 countries, the interviews with arts professionals I deeply admire, and the honest moments of self-doubt along the way. I explain why I felt this book needed to exist: the arts and cultural sector contributes £19.1 billion to the UK economy annually, yet fewer than 8 state schools offer History of Art at A-level. How are young people supposed to know what career paths are available if we don’t show them?

This episode is more personal than usual. I talk about the process of organizing interviews, editing down lengthy transcripts, and working through the fear of whether my own writing was good enough. I also share who this book is for - whether you’re considering entering the arts sector, already working in it, or simply curious about the range of careers that exist beyond artist or gallerist.

You can pre-order the book here: https://www.alexandrasteinacker.com/book

YOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: ⁠https://www.patreon.com/allaboutart⁠

FOLLOW ALL ABOUT ART ON INSTAGRAM HERE: ⁠https://www.instagram.com/allaboutartpodcast/⁠ 

ABOUT THE HOST:
I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.
Here are links to my social media, feel free to reach out:
Instagram⁠ @alexandrasteinacker   ⁠

and LinkedIn at ⁠Alexandra Steinacker-Clark⁠

This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ 

COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠www.liser-art.com⁠ and Luca Laurence www.lucalaurence.com 

Research and Creative Assistant: Iris Epstein

New episode of ‘All About Art’: Designing a Fair Marketplace for Artists and Collectors with Bibi Zavieh, Founder of newcube

In this episode, I sat down with Bibi Zavieh, Founder of newcube.art, an artist platform and art advisory.

I speak to Bibi about her experiences at Christie’s and ArtNet before she ventured into entrepreneurship and launched newcube right before the covid lockdowns.

I ask her about how she works with both artists as well as collectors, and how this new business model fits into the art ecosystem. We delve into what it means to collect art today, to gain art market expertise and develop an “eye”, so much more.
 
Thank you Bibi for coming on the podcast!

You can follow newcube  on Instagram here: https://www.instagram.com/newcube.art/?hl=en
You can check out newcube here: https://www.newcube.art/

YOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: ⁠https://www.patreon.com/allaboutart⁠

FOLLOW ALL ABOUT ART ON INSTAGRAM HERE: ⁠https://www.instagram.com/allaboutartpodcast/⁠ 

ABOUT THE HOST:
I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.

Here are links to my social media, feel free to reach out:
Instagram⁠ @alexandrasteinacker   ⁠

Twitter ⁠@alex_steinacker⁠

and LinkedIn at ⁠Alexandra Steinacker-Clark⁠

COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠www.liser-art.com⁠ and Luca Laurence www.lucalaurence.com