GOOD SHOW! with Sarah Goodman

Si se puede! Today we are celebrating Real Women Have Curves with the fabulously funny lesbian comic icon, Sandra Valls, who is making her Broadway debut at 59 years old in this heartwarming musical. Listen to Sarah and Sandra chat about this incredible musical, queer representation, body positivity, and making your dreams come true. Sandra Valls is a comic, actor, singer, writer, and badass. She is a funny, high energy, smart, outspoken Latina, best known for her powerful, electric, stand up comedy performances in Showtime’s, THE LATIN DIVAS OF COMEDY (nominated for Alma Award) and PRIDE: LGBT COMEDY SLAM! Her unique mix of physical comedy and brilliant story telling make it easy to see why the Los Angeles Times calls Sandra “Talented and Hilarious”. Curve Magazine included her on their Power List as One of the Most Influential Queer Women and One of the Top 10 Funniest Lesbian Comics in the country . Latina Magazine voted Sandra One of the Top 33 Bad Ass Comics with Latin Roots and Go Magazine named Sandra One of the Top 100 Women We Love.Sandra originated the role of Prima Fulvia in Real Women Have Curves on Broadway in 2025. Connect with Sandra Valls Instagram: @sandravalls1 www.welovesandra.com Connect with GOOD SHOW! Instagram: ⁠⁠⁠@goodshowpodcast⁠⁠⁠  Tik Tok: ⁠⁠⁠@goodshowpodcast ⁠⁠⁠  Learn more about your ad choices. Visit megaphone.fm/adchoices

"Think of the magic that you can create!" Inspiring words from Rob Madge's triumphant and hilarious celebration of identity, creativity, and the profound bond between parents and their child. As a child, Rob filled their home with grand performances, transforming into Mary Poppins, Ariel, and Belle with the help of homemade costumes, boundless imagination, and a little technical assistance (and occasional interference) from Dad. Their parents never said no—to a parade in the living room, to a costume change mid-scene, to a dream too big for the space it was staged in. Now, through a treasure trove of home videos and theatrical magic, My Son’s a Queer (But What Can You Do?) brings those moments to life, celebrating the power of childhood imagination, and the profound impact of parents who simply say “yes.” Connect with GOOD SHOW! Instagram: ⁠⁠@goodshowpodcast⁠⁠  Tik Tok: ⁠⁠@goodshowpodcast ⁠⁠  Learn more about your ad choices. Visit megaphone.fm/adchoices

Life is a cabaret, every night at 54 Below, AKA "Broadway's living room." Sarah chats with her boss at 54 Below and one of her favorite sound engineers, Amanda Raymond, continuing her Women in Sound Series. Amanda Raymond is an award-winning New York City based Production Manager and Audio Engineer. She production managed shows both on and off-Broadway before settling into her long-time home as Production Manager/Audio Engineer at 54 Below. She is often seen touring the country with a variety of performers as the Production Manager and Audio Engineer for Full Circle Artists.  Connect with GOOD SHOW! Instagram: ⁠@goodshowpodcast⁠  Tik Tok: ⁠@goodshowpodcast ⁠  Learn more about your ad choices. Visit megaphone.fm/adchoices

"Directors are authors of a production," is the vision held by Trip Cullman, director of the play, We Had a World. This beautiful play explores intergenerational relationships in a family with complicated dynamics. Starring Joanna Gleason, Andrew Barth Feldman, and Jeanine Serralles and written by Joshua Harmon. Sarah and Trip discuss the play, queer representation on stage, the importances of live theatre, and more! Trip Cullman (Director). Broadway: Cult Of Love, The Rose Tattoo, Choir Boy, Lobby Hero (Tony nom., Best Revival), Six Degrees of Separation (Tony nom., Best Revival), Significant Other. Select Off Broadway: I Can Get It For You Wholesale (Best Revival, Drama Desk and Outer Critics) (CSC); The Lonely Few, Moscow Moscow…, YEN, Punk Rock (Obie), A Funny Thing Happened… (MCC); Days Of Rage, The Layover, The Substance of Fire, Lonely I’m Not, Bachelorette, Some Men, Swimming In The Shallows (Second Stage); Unknown Soldier, The Pain Of My Belligerence, Assistance, A Small Fire (Drama Desk nom.), The Drunken City (Playwrights Horizons); Significant Other (Roundabout); Choir Boy (MTC); Murder Ballad (MTC and Union Square); The Mother, I’m Gonna Pray For You So Hard (Atlantic); Roulette (EST); The Hallway Trilogy: Nursing (Rattlestick); The Last Sunday In June (Rattlestick and Century Center); Dog Sees God (Century Center); US Drag (stageFARM); several productions with The Play Company. Select regional: Berkeley Rep, McCarter, Geffen, Arena, Alliance, Old Globe, La Jolla, South Coast Rep, Bay Street, Williamstown. Connect with GOOD SHOW! Instagram: ⁠@goodshowpodcast⁠  Tik Tok: ⁠@goodshowpodcast ⁠  Learn more about your ad choices. Visit megaphone.fm/adchoices

A week before the High Holidays, three rabbis find themselves in a room fighting to save a family by building a bridge between orthodoxy and modernity. One of these rabbis is Chava, the child of a dynastic Hasidic rabbinical family and destined to become a leader of the next generation before the revelation of her trans identity clashed explosively with the strictly gendered world in which she was raised. As we jump through memory—and wrestle with theology—truths and secrets emerge that ensure no one will read the old stories the same way again. Sarah chats with playwright, Emil Weinstein about this exciting new play, Becoming Eve. EMIL WEINSTEIN (Playwright) is a writer and director whose work spans theater, television, and filmmaking. He graduated from the David Geffen School of Drama at Yale, where he directed the first workshop production of Slave Play by Jeremy O. Harris. His productions as a theater director include Twelfth Night and Romeo & Juliet at Two River Theater, Comedy of Errors and As You Like It (upcoming) at the Old Globe, and developmental work with EnGarde Arts, Rattlestick Theater, Shakespeare and Company, and New York Theatre Workshop. For television, Emil worked as a staff writer on Amazon’s “A League of Their Own,” and directed four episodes for the final season of “The L Word Generation Q” for Showtime. His short films “Candace” and “In France Michelle is a Man’s Name” played at festivals around the world, winning multiple awards including two Academy Award Qualifying Grand Jury Prizes. Becoming Eve is Emil’s Off-Broadway playwriting debut. Emil is a transgender man and uses he/him pronouns. Connect with GOOD SHOW! Instagram: @goodshowpodcast  Tik Tok: @goodshowpodcast   Learn more about your ad choices. Visit megaphone.fm/adchoices