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Radio Lento podcast

Hugh Huddy
Radio Lento podcast
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  • 270 Soundscene from Northward Hill Nature Reserve featuring a nightingale
    Whilst out along the Kent side of the Thames Estuary on Saturday, aiming to capture the sound of skylarks and reeds, we met a walker with a very friendly border terrier. She told us there was talk of a nightingale not too far away at RSPB's Northward Hill Nature Reserve. We aren't strictly speaking wildlife recordists, the Lento box is designed like a wide angle camera to capture panoramic landscape sounds, but we thought it might be worth a visit to the reserve to see if we might be able to find it. Unusually for us public transport devotees, we were able to travel on to Northward Hill easily thanks to a magnificent Lento supporter. He'd driven us and the Lento box out from Brockley station in South East London to explore another corner of the Hoo Peninsula, and was keen to visit the reserve. We didn't feel hugely confident about actually hearing a nightingale. They are the kinds of birds you don't expect to find on demand. We rolled into the reserve's car park and quickly headed down into the woodland. We descended a rough flight of bare earth steps under the dark shadows of dense tree canopy, surrounded by glorious birdsong. All the usual suspects of course, familiar if you regularly listen to Lento - chif chaf, blackbirds, black caps, jackdaws, robins, various others plus trusty wood pigeons.  After turning right and proceeding further into the woods over a few hundred yards our ears pricked up. I found myself saying "and there it is" before I had even properly heard it. We continued for a few steps and, fortunately, there it was again, this time much more clearly, and without doubt a nightingale only about thirty yards away! Up on the tripod went the Lento box. I turned it to face the sound of the nightingale, and pressed record, bathed in the rich tapestry of spring woodland birds, coming from all around us.  Here's what the box captured. It's only twenty minutes. The passage of time is from around 5pm on 24th May. There are some people vaguely audible and a horse (louder) somewhere to left of scene. A road must pass the reserve too because some level of vehicle noise is distantly audible, but not so much as to spoil the overall effect. We capture whole landscapes from one fixed position, so what you hear is the nightingale just as we heard it from standing on the path and facing into the reserve. Wildlife recordists find ways to post their microphones very close to their subjects and as such we are all used to hearing nightingales proportionately far louder than anything else. In reality though these are not birds that like being approached, so few people can ever actually hear in-person, the bird singing as loudly as they do in specially focused recordings.  With a pair of headphones though this episode provides a realistic woodland soundscape with a nightingale almost dead centre of scene. You should be able quite easily to hear it between the other birds which are spread out to the left and to the right of scene. Listen out for a wonderfully special coincidence that happens a few times where a distant cuckoo comes into earshot too. It is pretty well dead centre, behind the nightingale.  There must be a farm nearby because several cockerels crow towards the end. The whole scene is in fact very busy, and whether a connection or not, I note how the nightingale seems to become more active when the chif chaf is in full voice. Coincidence, or not? This bonus episode is shared with big thanks to our trusty supporter and to the dog walker we met. 
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  • 269 Night crickets distant waves - Folkestone Warren (sleep safe)
    At this spot, high up on The Warren, in the dead of night, live the crickets. They're everywhere. Stridulating, like tiny minute hands etching the moments, of this night's time passing. Crisp. Unwitnessed. They're probably dark bush crickets. The Lento box records the scene alone, on a warm night last August. Tied to a very difficult tree. Difficult because it was very spiny. And off the path, part way down a precipitous drop. Why not an easier tree? Because of the view. This tree looks out over the valley, over all the tree tops, towards the hushing sea, far below.  Time passes. Somewhere in the valley, an ocean breeze lows in. Shifts a bank of trees into a state of gentle rustling. Countless crickets mark the moments. Then from nowhere a nocturnal train materialises in the bottom of the valley, right of scene. It glides across, and into the left horizon. Further and further. Until finally, it dissolves, and becomes just another part of this place's subtle, and natural murmurings. Perhaps a hedgehog is moving in the bushes. And a hint of a plane, heading south east towards France. * This 50 minute section is from a 48 hour recording we made in Folkestone Warren last August. It captures a deeply peaceful scene of this green and tangled place, by the sea, and the endlessly breaking waves of the Channel. Listen carefully (with headphones or airpods) and you may catch sound of a lower pitched cricket to left of scene. We still aren't sure what exactly it is, but it sounds like the cicadas in old films from 1950s America.
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  • 268 A wild ocean above ancient tree stumps
    Pett in Sussex. A 'small peaceful seaside village'. Here you can visit a little timber chapel on the beach with an open door to a kitchen. You can take a seat, absorb the atmosphere, then make yourself a cup of tea if you like, choose a book from the shelves and drop your donation into the honesty box. Before heading out to explore the wild pebble beach, crashing waves and sea defences. All perfect for blowing away the cobwebs.   But this is one of those places that makes you think too. Yes there's the village, the chapel, the wonderfully exposed coast path and beach, but there are other significant things too. Things that make the past resonate.  The end of the Royal Military Canal culminates here. A 28 mile inland channel linking Pett Level to Hythe. It was built as a defence against the possible invasion by Napoleon. Above on the hill a pillbox, a relic from WWII, looking out to sea. Back more. Back and back. Far into the mists of time. Not old history, not human history. Ancient history. The Pleistocene. Before the last ice age when there were no humans about to even know this coastal place exists. Or to witness its wild crashing waves. Dinosaur footprints left in the rock. At low tide the stumps of ancient trees can be seen. One day we'll travel back at low tide, and hopefully capture the sound of the waves as they break over these ancient stumps of oak, birch and hazel. And as we set up the microphones, we'll imagine ourselves deep in a forest, immersed between hushing trees and echoing birdsong. -------------- Come with us on a walk on this February day. See the sites around Pett. 
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  • 267 Hidden dell at night (sleep safe)
    This week we're staying on the uplands of rural Derbyshire to hear a passage of time from the dead of night. We captured it last month, from a location very near to last week's episode, About half a mile upstream, high above the valley pastures where the sheep live, hides a watery dell. It's shrouded under tangled trees, who no doubt thrive on the plentiful supply of water. An iron age track slopes steeply down before fording the stream. Beyond the stream is an area of dark moorland forest. We've recorded here many times over the years. It's a location that possesses richly varying sound-feels, not just from season to season, but often from hour to hour.   Overflights from aircraft heading into Manchester's Ringway Airport heavily impact the natural soundscape here. To get round this we leave the lento box out recording for very long periods of time. When the flight path moves, the sky clears of human-made noise, and we are able to hear just the natural environment again. The Lento box records through the quiet hours of the night. Tied to a tree only a few yards from where the track fords the stream. To right of scene a cool pool of moorland water shallows onto stones over which people have crossed with their animals and carts for countless centuries. Centre of scene the stream flows down into another pool, before continuing on its way down into the valley. The trees, now in leaf, create an acoustic space inside which the sound of the stream reflects. Through long listening, the wide spatial presence of the valley beyond can also be heard. Or perhaps we should say felt. Valleys, from an aural perspective, transcend any obvious aural description. -------------- Please help us keep Lento ad-free - buy us a coffee on Ko-fi.
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  • 266 On upland pastures
    Left  of scene, a steep uninhabited valley, shrouded under dense woodland. Right of scene, rough pastures and grass meadows sloping gradually up, towards a distant horizon. Centre, a silvery glimpse of the moorland stream that's flowed down into this valley for as long as rain began to fall.  Spring has arrived. The valley is verdant green, and alive with song birds, sheep and lambs. The air is so still, and soft. The scents of hawthorn and cow parsley rise on sun warmed eddies. Bees, from plant to plant, appear. Then disappear. Then appear again. Hovering. Manoeuvring. Speeding away. A lone goose in the mid-distance, is flying gracefully up the valley. Is following the stream. Its calls echo, across the vast empty space.  How over time the sounds of this valley form naturally into a portrait. A spatial depiction, of life on an upland pasture. Clean. Fresh. Uncluttered. Unconcerned. And it is there. And with headphones, and a bit of time sat still, we can be there too.     * This segment is from a long-form recording we made of this valley several years ago in the Peak District. We visited again only a few weeks ago, we can say things sound very much the same on the ground. What is changing though is an increased intensity of air travel. The skies are noisier now, preventing us from being able to share more recent recordings. 
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Surround yourself with somewhere else. Captured quiet from natural places. Put the ”outside on” with headphones. Find us on Bluesky @RadioLento. Support the podcast on Ko-fi.
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